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Sleeper
2017
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2017
The core element of the “Sleeper” installation is a tapestry. Le Corbusier referred to it as a “portable form of mural”. During the Middle Ages and Renaissance these handwoven wall-hangings, in which the interweaving of threads forms not only the
Gallery of Heroic Women
2018
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2019
This series of fictitious portraits deals with fighting and hunting movie heroines and refers to the baroque concept of the ‚Gallery of Heroic Women‘ (book by Pierre Le Moine with illustrations, painting series by Guy François, and others, 16th-17th
Dot.jp Project: A Curator's Japan Diary (MoMA Web subsite)
2000
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2000
2000-6 Untitled PLACE: Japan PARTICIPANTS: Christa Sommerer, Director of the Art and Technology Project, ATR Research Laboratories, Science City; Masamichi Tosa; Nobumichi Tosa, brothers and founders of Maywa Denki, a musical group whose innovations
Brigitte Neufeldt
Statement Seit Mitte der 90er Jahre des letzten Jahrhunderts beschäftige ich mich mit dem urbanen Raum, Naturphänomenen, dem menschlichen Körper, politischen Themen und virtuellen Welten. Im Rahmen meines Kunststudiums habe ich Werke entwickelt,
Die visuelle Zukunft. Medienkunst - so vielseitig wie noch nie
2005
Grau, Oliver. Die visuelle Zukunft. Medienkunst - so vielseitig wie noch nie In DGPh intern (Deutsche Gesellschaft für Photographie), Vol.28. , 9 - 11. : 2005.
Ars Electronica 2010: Repair - Sind wir noch zu retten
2010
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2010
Event: Ars Electronica 2010: Repair - Sind wir noch zu rettenInstitution: Ars Electronica Linz GmbH & Co KGComment:
Die Tanzen und die Toten
1983
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1983
video
Videotape [English title, The dancing and the dead] If YOU, yes YOU, the one I'm addressing, have already photographed corpses and the pried-open skull, that is even now beautiful picturedance of the corpseshots (the camera is moved) a dancer
Dvajset prekratkih dni in dvajset svetlih noči.
2013
Lavoslava Benčić. Dvajset prekratkih dni in dvajset svetlih noči. Medijska vzgoja in produkcija. [Tiskana izd.] , no. 1 (jan. 2013): 16-21.
Entre Sensíveis Pixels: espaço-tempo-agora
2013
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2013
A exposição Entre Sensíveis Pixels: espaço –tempo – agora leva ao Estúdio Galeria Mamute, uma discussão a respeito da arte em diálogo com as tecnologias digitais e com os questionamentos deste tempo. Uma mostra que pensa a condição na qual o
The Year's Midnight
2011
The Year's Midnight, 2011 Computer, software, camera, high-resolution display, Seeing Machines face recognition 105.5 x 80 x 12 cm Ed. 3/6, 1 AP (RLH 89.3) White or black smoke bellows from the eyes of the viewer. Live and recorded eyeballs
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