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  • Christina Kubisch
    ... the German Industrial Association (BDI), composition grant of the city of Berlin, Carl Djerassi Honorary Fellowship, IASPIS Stockholm. Since 1974 solo exhibitions in Europe, USA, Australia, Japan and South America. Participation in international festivals...
  • Data Arcade -
    ...Data Arcade contains three games: Stock Invaders, Pipe Mania and Oil Kong. They are derived from famous existing games. Nideffer adds political and economic issues.
  • Database of Virtual Art
    ...Grau, Oliver. Database of Virtual Art In Ars Electronica 2005: Hybrid - Living in Paradox, edited by Gerfried Stocker and Christine Schöpf, 404-405. Ostfildern-Ruit: Hatje Cantz, 2005.
  • Decision Value -
    ...There are several places at which the density of crucial decisions is rather high. In Paris, I observed the emblematic buildings of the stock exchange (Bourse), the parliament (Assemblée Nationale), the high court (Palais de Justice), an airport tower (Orly), a...
  • Designing Comprehensible Agents
    ...Sengers, Phoebe. Designing Comprehensible Agents In International Joint Conference on Artificial Intelligence (IJCAI-99), Stockholm, Sweden: 1999.
  • Dialtones: A Telesymphony
    ... In Ars Electronica 2001: TAKEOVER - Who´s Doing the Art of Tomorrow?/ Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine SchöpfWien, New York: Springer, 2001.
  • Die hybridisierte Realität
    ...Dyens, Ollivier. Die hybridisierte Realität In Hybrid - Living in the Paradox, edited by Gerfried Stocker and Christine SchöpfOstfildern-Ruit: Hatje Cantz, 2005.
  • Die schöne Kunst des Spiels
    ...Bruns, Karin. Die schöne Kunst des Spiels In Timeshift. Die Welt in 25 Jahren / The World in Twenty-Five Years, edited by Gerfried Stocker and Christine SchöpfOstfildern-Ruit: Hatje Cantz, 2004.
  • Digital Now -
    ...2016 Digital Now - Tekniska Museet Stockholm (26 October 2016 - 31 January 2017) Curated by Min-Jung Jonsson
  • Digital Preservation: Recording the Recoding. The Documentary Strategy / Digitale Konservierung: Die Aufzeichnung der Neukodierung. Die Strategie der Dokumentation
    ... In Ars Electronica 2001: Takeover : Who's doing the Art of Tomorrow = Wer macht die Kunst von morgen, edited by Gerfried Stocker and Christine Schöpf, 340-345 and 334-339. Wien: Springer, 2001.
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