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  • ... identities collide in a hospital emergency room. The story is told in the form of a science-fiction-style comic strip using stock photographs from PhotoDisc's "Health and Medicine" and "Modern Technologies" archives. The user can scroll through the...
  • ... Ratio. Software und Interaktive Installation In Ars Electronica 98: Infowar: Information, Macht, Krieg, edited by Gerfried Stocker and Christine SchöpfWien, New York: Springer, 1998.
  • ...For the first time in its history, the transmediale festival had a motto: STOCKTAKING VISION. The festival took stock of where television and all the new media have gotten us so far, and what they have given us.
  • World Skin
    ...Event: World SkinInstitution: KTH, StockholmComment:
  • Transitional Spaces -
    ... This is followed by a text quote projected onto the screen. The quotes come from personals, news phrases and financial stock language that use or refer to literal or metaphorical expressions of transitional space. The background image is a still...
  • Spectropia -
    ... Spectropia, an interactive movie shot on digital video, is a time travel drama set in the future and in NYC 1931 after the stock market crash. It uses the metaphor of supernatural possession to explore new constuctions of subjectivity and the disorders...
  • pinwheels -
    ... domains and ways to computationally map the information to the pinwheels. Its current application domains include stock market activity monitoring, web site hits tracking, natural wind movement, and server packet monitoring. (Source:...
  • ... into the symposium, as Niels Ole Bernsen, Rafael Capurro, Regina Cornwell, Derrick de Kerckhove, Paul Sermon and Gerfried Stocker have done.
  • ... v1.3 DAX] 2009.04 APRES LA FIN / FAUX-RACCORDS . LA TABASCALERA . MADRID . SPAIN [Installation ADM v3] 2009.03 STOCK OVERFLOW . iMAL . BRUXELLES . BELGIUM [Installations & Conferences] 2008.11 DATA MEANINGS /PARIS . THEATRE PARIS VILLETTE....
  • Uprising
    Stocker, Gerfried. Uprising In Genesis, edited by O. K. Center for Contemporary Art, 41-43. Linz: 1999.