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In the Alpevent white polythene tubing was slowly inflated inside a somewhat confined space. The people there dragged and wove the tubing around their bodies, but expanding plastic gradually pushed many of them out of the room. A further performance

A large cloud-shaped and air-inflated structure was suspended from the roof of the Stedelijk Museum. During the night an image of a daytime sky and clouds was projected onto it, accompanied by clouds of artificial smoke and the amplified sounds of

A monumental sculpture proposed for the Schouwburgplein in Rotterdam and constituted by massive letters forming the words NO THING.

Three inflatable pavilions, each having a specific function, were specially commissioned for Sonsbeek buiten de perken. Besides the Information Pavilion, an air supported semi-sphere covered with sythetic grass, and the Video Studio, a tensile

Inflatable replica of an exhibited sculpture by Ronald Bladen - this one the visitors could play with.

An installation in two rooms. One was filled with an inflatable structure that was slightly smaller than the room - visitors had to squeeze between it and the walls. In the other room the structure was larger than the room and so covered all its

The Diadrama was an audio-visual performance with over 2000 slides being projected onto a large wide screen by three pairs of synchronised slide projectors. The main themes explored in this work were panoramic methods of representation, the collage

This work created a collage of fictional events within a museum space by making projected images of the events appear contiguous with the real space and actual situations. The work was constituted by two structural elements: a large projection

A custom laser scanning system was developed that could project the laser beam as shaped planes and cones of light in a full 360-degree space around the projector. Scanning and rotation of the laser mirrors was controlled by a specially made analog

This sculpture enabled beams of light to be dynamically moved over Genesis's entire stage as well as out into the auditorium. It was constituted by six large mirrors which were all pivoted on two axes respectively and could be rotated in all