Archive Search

  • Box Man
    Weibel, Peter and David Felder and Henry Jesionka. Box Man In Ars Electronica 1987: Der Freie Klang, edited by Karl Gerbel, 158-161. Linz: Druck- und Verlagsanstalt, 1987.
  • Lartigaud, David-Olivier, ed. Art++. Hors Collection. Vol.1. Script, Paris: Éditions HYX, 2011.
  • Leith, David. At the Nexus of Digital Art and Technology The Georgia Straight newspaper (British Columbia, Canada) (December 13-20, 2001 2001).
  • Sims, David. Osmose: Is VR Supposed to be this Relaxing? Computer Graphics and Applications (IEEE Computer Society) 16, no. 6 (November 1996): 4-5.
  • Burns, David R.. Borders, surveillance, and Control in the Digital Age In Soft Borders International Network Conference and Festival on New Media Art, Sao Paolo, Brazil: 2010.
  • Burns, David R.. Virtual Borders and Surveillance in the Digital Age International Journal of Media and Cultural Politics 3, no. 3 (2007): 325-341.
  • Burns, David R.. Dematerialization, Media, and Memory in the Digital Age In Proceedings of ISEA 2011, the 17th International Symposium on Electronic Art, Istanbul, Turkey: 2011.
  • For his 2007 work Machine for Taking Time (boul. St-Laurent), David Rokeby recorded thousands of images of the city of Montreal from identical points of view every day for a year. In Murmurscape (Montreal), letter-shaped fragments excised from this
  • Erika Batdorf creates a portrait of her mother, Thaya Whitten, a painter who toured Canada in the 60’s doing controversial performance art. Through the use of biosensors, this interactive theatrical two-hander explores the meeting point of madness
  • Schloerb, David W.. A Quantitative Measure of Telepresence Presence 4, no. 1 (Winter 1995): 64-80.