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Syncronicity - The Circus of Everyday Life
2008
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2008
Syncronicity 2008 This work developed out of my research fellowship at goldsmiths college.This is a live visualisation of a hand drawn city. Dozens of hand drawings are being walk on by small robots. The real space made as a visualisation. A
Sophie Hedderwick
I am a multimedia artist, using smart textiles in a digital format, using photography, film and 3D mapping. I am currently a PhD researcher at Birmingham School of Art, funded by AHRC/M3C.
Virtual Interface Environment
1986
Fisher, Scott S.. Virtual Interface Environment In IEEE/AIAA 7th Digital Avionics Systems Conference, Fort Worth, Texas, October 13–16, 1986, Fort Worth, Texas: 1986.
bug[lab]02
2006
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2006
The installation gathers a group of 10 robotic dogs in which some punctual and random bugs emerge (this is almost a pleonasm) in order to ironically illustrate the potential consequences of some functional problems in the system. It consists of
Hybridation & art contemporain
2013
Cuir, Raphaël, ed. Hybridation & art contemporain. Paris: Al Dante/AICA, 2013.
In Search of a Vanished Blood
2012
Wie das leise Spiel an der Kinder-Krippe fügen sich Formen im Schattenspiel zu einer Geschichte. Das hat etwas Zauberhaftes, doch die Bilder brechen schnell mit der vermeintlichen Idylle. Die indische Künstlerin Nalini Malani ist mit ihrer
New-media arts-based public engagement projects could reshape the future of the generative biology.
2020
Ahmedien, Diaa. New-media arts-based public engagement projects could reshape the future of the generative biology. Medical Humanities , no. https://mh.bmj.com/content/early/2020/05/28/medhum-2020-011862 (2020).
Bio-pixels: A stem cell-based interactive–generative interface designed to redefine technologies of self-making in new media arts.
2019
Ahmedien, Diaa. Bio-pixels: A stem cell-based interactive–generative interface designed to redefine technologies of self-making in new media arts. Convergence: The International Journal of Research into New Media Technologies
Exhibition (9th September - 24th September 2017)
2017
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2017
Curator: Atsuhito Sekiguchi
Logo.Hallucination
2006
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2006
Artworks Logo.Hallucination November, 2006 Is the economic dynamics of the collective hallucination leading us towards a privatization of the glance? Logo.Hallucination continuously monitors the images circulating on the Internet looking
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