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  • Syncronicity 2008 This work developed out of my research fellowship at goldsmiths college.This is a live visualisation of a hand drawn city. Dozens of hand drawings are being walk on by small robots. The real space made as a visualisation. A
  • I am a multimedia artist, using smart textiles in a digital format, using photography, film and 3D mapping. I am currently a PhD researcher at Birmingham School of Art, funded by AHRC/M3C.
  • Fisher, Scott S.. Virtual Interface Environment In IEEE/AIAA 7th Digital Avionics Systems Conference, Fort Worth, Texas, October 13–16, 1986, Fort Worth, Texas: 1986.
  • bug[lab]02 -
    The installation gathers a group of 10 robotic dogs in which some punctual and random bugs emerge (this is almost a pleonasm) in order to ironically illustrate the potential consequences of some functional problems in the system. It consists of
  • Cuir, Raphaël, ed. Hybridation & art contemporain. Paris: Al Dante/AICA, 2013.
  • Wie das leise Spiel an der Kinder-Krippe fügen sich Formen im Schattenspiel zu einer Geschichte. Das hat etwas Zauberhaftes, doch die Bilder brechen schnell mit der vermeintlichen Idylle. Die indische Künstlerin Nalini Malani ist mit ihrer
  • Ahmedien, Diaa. New-media arts-based public engagement projects could reshape the future of the generative biology. Medical Humanities , no. https://mh.bmj.com/content/early/2020/05/28/medhum-2020-011862 (2020).
  • Ahmedien, Diaa. Bio-pixels: A stem cell-based interactive–generative interface designed to redefine technologies of self-making in new media arts. Convergence: The International Journal of Research into New Media Technologies
  • Curator: Atsuhito Sekiguchi
  • Logo.Hallucination -
    Artworks Logo.Hallucination November, 2006 Is the economic dynamics of the collective hallucination leading us towards a privatization of the glance? Logo.Hallucination continuously monitors the images circulating on the Internet looking