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  • The Value of Art -
    2013 The Brick Lane Gallery (28. Februar bis 11. März 2013 ) Annex 93-95 Sclater St. E16HR, London, England
  • This installation features the debut of an important new addition to the SCMA collection, “What Will Come” (2006), a major film by the South African artist William Kentridge. One of the most innovative aspects of Kentridge’s work is his hand-drawn
  • Interference – a network dropping out, white noise on screens – is seldom welcome. Yet without it, we might not encounter new perspectives or discover new stars. At Jodrell Bank Observatory, scientists regard interference as unhelpful noise or
  • ARTEC 97
    The theme concept of the Biennale is 'THE GARDEN: The Successors to Eden', the Biennale proposed the idea of a 'meta-garden': the environment of the near future and unconscious landscapes concealed in close and familiar spaces. The main contents of
  • Autoinducer_Ph-1 -
    Autoinducer_Ph-1 (cross cultural chemistry) exploits a traditional rice cultivation technique from SE Asia where Azolla is grown in large quantities and used as an organic, nitrogen rich fertilizer in the rice paddies. In the installation this
  • red fungus -
    Generative installation, stickers on the floor Supported by: Mondriaan Foundation, Ámsterdam Courtesy: Blue Fungus (of which Red Fungus is a variation) belongs to the collection Stedelijk Museum Amsterdam Red Fungus investigates the relation
  • In Giulia Bowinkel & Friedemann Banz series of ”body paintings”, the body becomes the shaping pulse. Recordings of body movements in space are coupled with fluid simulations. The generated forms follow the movement of people, translating physical
  • Gehman, Chris. A Mechanical Medium: A Conversation with Zoe Beloff and Gen Ken Montgomery Cinéma Scope 6 (2001): 32-35.
  • Videobrasil is the oldest festival in Latin America dedicated to video art; in this edition it opened its scope to electronic art in general including Net Art and games, besides video.
  • The computer allows us to simulate reality. Although the simulation itself is not real it inherits a certain power to become real. Today, it is increasingly normal to transfer simulated reality into physical reality. With the help of computers the