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Development of Simulation Interfaces for Evaluation Task with the Use of Physiological Data and Virtual Reality Applied to a Vehicle Simulator
2015
Miranda, Mateus R. and Henrik Co
sta
and Luiz Oliveira and Carla Aguiar and Thiago Bernarde
s a
nd Cristiano MIOSSO and Ale
ssa
ndro B. S. Oliveira and Diana Domingues. Development of Simulation Interfaces for Evaluation Task with the Use of
Futurte Everything 2010
2010
FutureEverything at Media Festival Arts FutureEverything is presenting a Lounge, Panel, Artwork and Online Forum at Media Festival Arts, 8-10 September, Roundhouse London. The FutureEverything Online Forum is live from 2nd September (12 noon) and
Neue Technologien und ge
sta
lterische Kreativiät
2001
E
sha
q, Ahmad Rafi Mohamed. Neue Technologien und ge
sta
lterische Kreativiät In Takeover - wer macht die Kunst von morgen / Who´s Doing the Art of Tomorrow, edited by Gerfried Stocker and Christine Schöpf, Vienna and New York. : Springer, 2001.
Bio-Pixels
2018
-
2019
Bio-PixelsArtist: Diaa AhmedienComment:
Syncronicity - The Circus of Everyday Life
2008
-
2008
Syncronicity 2008 This work developed out of my re
sea
rch fellowship at goldsmiths college.This i
s a
live vi
sua
lisation of a hand drawn city. Dozens of hand drawing
s a
re being walk on by
sma
ll robots. The real
spa
ce made a
s a
vi
sua
lisation. A
Sophie Hedderwick
I am a multimedia artist, using
sma
rt textiles in a digital format, using photography, film and 3D mapping. I am currently a PhD re
sea
rcher at Birmingham School of Art, funded by AHRC/M3C.
Virtual Interface Environment
1986
Fisher, Scott S.. Virtual Interface Environment In IEEE/AIAA 7th Digital Avionics Systems Conference, Fort Worth, Texas, October 13–16, 1986, Fort Worth, Texas: 1986.
bug[lab]02
2006
-
2006
The in
sta
llation gather
s a
group of 10 robotic dogs in which some punctual and random bugs emerge (this i
s a
lmost a pleonasm) in order to ironically illustrate the potential consequences of some functional problems in the system. It consists of
Hybridation & art contemporain
2013
Cuir, Raphaël, ed. Hybridation & art contemporain. Paris: Al Dante/AICA, 2013.
In
Sea
rch of a Vanished Blood
2012
Wie das leise Spiel an der Kinder-Krippe fügen sich Formen im Schattenspiel zu einer Geschichte. Das hat etwas Zauberhaftes, doch die Bilder brechen schnell mit der vermeintlichen Idylle. Die indische Künstlerin Nalini Malani ist mit ihrer
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