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Das Gedächtnis der Kunst: Geschichte und Erinnerung in der Kunst der Gegenwart
2000
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2001
Event: Das Gedächtnis der Kunst: Geschichte und Erinnerung in der Kunst der GegenwartInstitution: Schirn KunsthalleComment:
d'APERTutto, 48th International Venice Biennale
1999
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1999
Event: d'APERTutto, 48th International Venice BiennaleInstitution: Schirn KunsthalleComment:
Schirn Kunsthalle
Extending interface practice: an ecosystem approach (ACM panel)SIGGRAPH
2002
Jeremijenko, Natalie and Thecla Schiphorst and Michael Mateas and Wolfgang Strauss and Will Wright and Andruid Kerne. Extending interface practice: an ecosystem approach (ACM panel) SIGGRAPH In Proceeding SIGGRAPH '02, ACM SIGGRAPH 2002 conference
Nothing Remains the Same (Sensoric Organ)
2004
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2004
Influence, change and transformation are keywords in Peter Hagdahls ¦uvre. In 1992 Andréhn-Schiptjenko showed the installation Sustained where sculpture, painting, drawing, snapshots, paperclippings and a powerengine created a system ranging from
Close Up
2006
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2006
video
"Close-up" is the third piece of the ShadowBox series of interactive displays with a built-in computerized tracking system. This piece shows the viewer's shadow revealing hundreds of tiny videos of other people who have recently looked at the work.
T-wo.gen
2004
The text from The World Generator / The Engine of Desire was printed out and put into a physical installation. The spoken text was presented in the space. The Illusive Nature of Context: The Negotiation of the Thoughtbody Bill Seaman The World
Schizophrenia and Narrative in Artificial Agents
2002
Sengers, Phoebe. Schizophrenia and Narrative in Artificial Agents Leonardo 36, no. 4 (2002): 427-431.
Hotel Synthifornia
1999
"Hotel Synthifornia ironically paraphrases the Eagles all-time-classic: 'Such a lovely place, such a lovely face... Relax!' Find yourself caught by the schizophrenic interpretation of a shoot-up game like Epic Games' Unreal. The semantic shift from
Sheldon Brown
Sheldon Brown is Director of the Center for Research in Computing and the Arts (CRCA) at the University of California at San Diego (UCSD) where he is a Professor of Visual Arts and the head of New Media Arts for the California Institute of
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