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  • Illusion, Desillusion, Ästhetik
    Baudrillard, Jean. Illusion, Desillusion, Ästhetik In Illusion und Simulation. Begegnung mit der Realität, edited by Stefan Iglhaut and Florian Rötzer and Elisabeth SchweegerOstfildern-Ruit: Hatje Cantz, 1995.
  • Margaret Dolinsky
    Margaret Dolinsky is an Artist, Research Scientist and Assistant Professor at the School of Fine Arts at Indiana University in Bloomington, Indiana. Her recent work involves digital painting fused into projections for opera and experimental film.
  • The interfaced subject immersed in virtual spaces
    DOMINGUES, DIANA MARIA G. The interfaced subject immersed in virtual spaces . Körper Verkörperung Entkörpeung Body Embodiment Desimbodiment (2004): 19-21.
  • Desin OVER sun
    Desin OVER sunArtist: Lillian F. SchwartzComment:
  • The Body Remembers -
    Spanning 22 years and three continents, the performance, video and digital media work made by Jill Scott coalesces at points that are both corporeal and mechanistic. The differing themes and effects of each work are supported by a range of interests
  • Industrial Evolution - video
    In the installation "Industrial Evolution," users can interact with historic images from the time of the Industrial Revolution. Images of factories, mines, assembly lines, production facilities and related administration facilities show the
  • The Engine of Desire -
    The Engine of DesireArtist: Bill SeamanComment:
  • Magnet -
    Interactive digital video projection environment 14 x 8 x 7 metres 2 large scale video projections, black and white, multi-channel interactive sound In collaboration with Stuart Jones (sound) Produced whilst Artist In Residence at the
  • n-Cha(n)t -
    The surface inspiration for "n-Cha(n)t" was a strong and somewhat inexplicable desire to hear a community of computers speaking together: chattering amongst themselves, musing, intoning chants... "n-cha(n)t" is a community of "Givers of Names"
  • An Explicit Volume -
    An Explicit Volume is an interactive installation comprising nine books arranged in a three by three grid. Each book is operated by an electronic page turner. The project is sited in a darkened space where four red vinyl chairs are arranged facing
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