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Now&After International Video Arts Festival
2018
Reality is an intuitively understood component of our life. It is a philosophical category, a scientific constant, and something that everyone can define in his own way. Reality refers to everything that arises in time and then disappears, and
Biopsia
2008
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2008
video
This piece is a kinetic sculpture consisting in a disc where a drop of colored water falls from the ceiling at regular intervals. An animation of a clockwork mechanism, revolving around the color stains, is projected onto the disc. It was part of
Une décision scientifique pose un lapin à Avignon
2000
Diez, René. Une décision scientifique pose un lapin à Avignon Midi Libre (June 2000): 8.
Chromatophoria
Jaron Lanier, the musician and scientist who coined the term "Virtual Reality" brings the two worlds of his life, music and technology, together in a revolutionary new form of live performance. Jaron's group, Chromatophoria, combines deep use
VINCI'23
2023
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2023
“BichEden: Folds” uses philosophy of ecology and scientific concepts related to food web communities as empirical grounding for associative thinking in the creation of imaginative 3D visualizations. Driven by how the Anthropocene extinction is
ELO 2022-E2Lit
2022
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2022
The work combines various mediums and literary genres (the cookbook’s taxonomy and authoritative style, scientific papers, children’s rhymes…) to reshape its own and presents the reader with complex assemblages on entangled phenomena related to
Jean-Baptiste Barrière
Jean-Baptiste Barrière, born 1958 in Paris, studied Music, Philosophy and Mathematics. Currently he works as a composer and since 1981 as scientist at the Ircam/Centre Georges Pompidou in Paris.
Out of This World
1999
Wertheim, Margaret. Out of This World New Scientist 161, no. 2172 (February 1999): 38-41.
Media: Between Magic and Technology [in Russian]
2014
Ksenia Fedorova and Nina Sosna, ed. Media: Between Magic and Technology [in Russian]. Moscow, Ekaterinburg: Armchair Scientist, 2014.
blaseez
Computer scientist interested in data, artificial intelligence, interaction — in the exploration of plastic-sound virtualities through impulse and generative reinterpretation.
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