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  • Love @ 1st Byte, ISBN: 978-981-02-1026-4,http://www.lhham.com.sg/shop/love.html
    Lin Hsin Hsin. Love @ 1st Byte, ISBN: 978-981-02-1026-4, http://www.lhham.com.sg/shop/love.html. Vol.1. 1 th ed.Singapore, USA: World Scientific Publishing Co, 1992.
  • Sustainable Cinema: The Moving Image and the Forces of Nature
    Hessels, Scott. Sustainable Cinema: The Moving Image and the Forces of Nature In Biologically-Inspired Computing for the Arts: Scientific Data through Graphics, edited by Anna Ursyn, 90-104. New York: IGI Global, 2012.
  • Scientific Skin -
    Event: Scientific SkinInstitution: MAK Museum für Angewandte KunstComment:
  • Constructions of Real and Virtual
    Event: Constructions of Real and VirtualInstitution: Scientific Research Institute Jožef StefanComment:
  • Literary and Scientific Institute Bridport
  • reconfigure(d) - object 2 -
    The sculptures “reconfigure(d) – object 1 and 2” are part of a series of kinetic objects dealing with elusive states of consciousness and the translation of brain activity measurements into rhythms. With this body of work I am studying the
  • Photosynthetic Me - video
    Photosynthetic Me is a bioart, interactive and Immersive installation that emerges from a process-based experiment around the topic of becoming plant-like. In the project, a biotechnologist activates a photosynthetic system in a situation of altered
  • Metapaisajes. El paisaje a través del arte digital -
    The landscape is not just the natural environment or its representation. It is in itself a cultural construct, subject to the codes and beliefs of those who have configured it, be it physically (determining its shape by the arrangement of gardens,
  • Now&After International Video Arts Festival
    Reality is an intuitively understood component of our life. It is a philosophical category, a scientific constant, and something that everyone can define in his own way. Reality refers to everything that arises in time and then disappears, and
  • BichEden: Folds - video
    “BichEden: Folds” uses philosophy of ecology and scientific concepts related to food web communities as empirical grounding for associative thinking in the creation of imaginative 3D visualizations. Driven by how the Anthropocene extinction is
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