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  • ARTEC 95 -
    Three main categories emerged in ARTEC '95: 1. sculptures and environments emulating life or protolife; 2. portraits and interpretations derived from the world at large; and 3. performances and displays of invented image. The Biennale continued to
  • William Kentridge -
    South African artist William Kentridge has garnered international fame and admiration for performance, sculpture, drawings, and work in many other media, but his most indelible contribution is in animated film. Kentridge makes large-scale charcoal
  • The animation derives from the chinoiserie style frescos on the Hillside Palace of Pillnitz Castle. Fragments of these appear on revolving globes, like heavenly spheres. The three globes allude to the science fiction trilogy Trisolaris by Cixin Liu.
  • GLK 03x -
    Archival Digital Print, Sizes: 8”x10” and 13”x19” Pigment Inks on cotton rag substrate or Light Jet digital photo prints. (Also available in larger sizes or NFT by special order) Date created: 2012 This video still derives from a visual music work
  • GLK 07z -
    Archival Digital Print, Sizes: 8”x10” and 13”x19” Pigment Inks on cotton rag substrate or Light Jet digital photo prints. (Also available in larger custom sizes or NFT by special order) Date created: 2012 This video still derives from a visual music
  • Seeing Double -
    The exhibition is structured primarily around the discourse of vision and optics and centered around a new eight-minute anamorphic film, titled What Will Come (2006), which takes its title from a Ghanaian proverb: "What will come has already come."
  • Benayoun, Maurice. Diabolo ex machina. dérives malignes de la Sainte Ecriture dévoyée par la technologie Sarazine 4 (1996).
  • Event: Fusion critique, de l’espace urbain et de ses dérives numériquesInstitution: Colloque Hyperurbain, Université Paris 8Comment:
  • Event: Dérives singulières de la photographieInstitution: Rencontres photographiquesComment:
  • Event: Le jardin virtuel et autres dérives de la natureInstitution: colloque Le virtuel et le lierre, Fontevraud AbbeyComment: