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  • Feminist Server Stack: co-designing feminist web servers to reimagine Internet futures
    Nancy Mauro-Flude & Yoko Akama. Feminist Server Stack: co-designing feminist web servers to reimagine Internet futures 1 (2022): 48-62.
  • El realismo conceptual de ambientes en realidad virtual: de la contemplación a la inmersión
    DOMINGUES, DIANA MARIA G. El realismo conceptual de ambientes en realidad virtual: de la contemplación a la inmersión DeSignis 10 (2006): 10-12.
  • Open Air video
    Combining public art with mobile technology, Mexican-Canadian artist Rafael Lozano-Hemmer presented the world premiere of "Open Air," Sept. 20 - Oct. 14, 2012. Commissioned by the Association for Public Art, "Open Air" is a spectacular interactive
  • Lavoslava Benčić
    Lavoslava Benčić is a creator in the field of culture from 1985. She have gained numerous experiences in ideological concepts, designs and implementation of media projects.
  • Illusion, Desillusion, Ästhetik
    Baudrillard, Jean. Illusion, Desillusion, Ästhetik In Illusion und Simulation. Begegnung mit der Realität, edited by Stefan Iglhaut and Florian Rötzer and Elisabeth SchweegerOstfildern-Ruit: Hatje Cantz, 1995.
  • Simon Penny
    Simon Penny is an Australian practitioner in the fields of Digital Cultural Practices, Embodied Interaction and Interactive Art. His practice has included artistic practice, technical research, theoretical writing, pedagogy and institution building.
  • Margaret Dolinsky
    Margaret Dolinsky is an Artist, Research Scientist and Assistant Professor at the School of Fine Arts at Indiana University in Bloomington, Indiana. Her recent work involves digital painting fused into projections for opera and experimental film.
  • The interfaced subject immersed in virtual spaces
    DOMINGUES, DIANA MARIA G. The interfaced subject immersed in virtual spaces . Körper Verkörperung Entkörpeung Body Embodiment Desimbodiment (2004): 19-21.
  • Desin OVER sun
    Desin OVER sunArtist: Lillian F. SchwartzComment:
  • The Body Remembers -
    Spanning 22 years and three continents, the performance, video and digital media work made by Jill Scott coalesces at points that are both corporeal and mechanistic. The differing themes and effects of each work are supported by a range of interests
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