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  • Lev Manocivh on Database Driven Movies
    Documentary
  • Lev Manovich
    ...Lev Manovich is an artist and a theorist of new media. He was born in Moscow where he studied fine arts, architecture and computer science. He received an M.A. in experimental psychology from NYU [1988] and a Ph.D. in Visual and Cultural Studies from University of...
  • Lev Manovich at TEDxReset
    Lecture
  • Level Head -
    ... room to room in an effort to find the exit. Some doors lead nowhere and will send the character back to the room they started in, a trick designed to challenge the player's spatial memory. Which doors belong to which rooms? There are three cubes...
  • Level of Nothingness video
    "Levels of Nothingness," 2009 Sept 17 - 21, 2009 The Guggenheim Museum, New York performance, installation dimensions variable Inspired by Vasily Kandinsky’s Yellow Sound (1912), Rafael Lozano-Hemmer created an installation where colors are
  • LEVITATION & LUMINA -
    ... images projects the viewer into hidden dimensions, hinting at disclosures of higher discernment.' - Alessandra Pace, SCI'ART, 2009 (excerpt)
  • Lia
    ...Lia is an Austrian artist and one of the early pioneers of software and net art. Since 1995, she has been creating digital art, installations and sound works. Her work plays with the aesthetic of digital images and algorithms, and her output includes video,...
  • LichtGraffiti
    ... 'LichtGraffiti' develops an analogy to the rhythm of absorbing and processing experiences. The work consists of three parts, each installed independently in the two institutions: a touchscreen in the foyers, two projectors projecting moving light...
  • Lieux et processus créatifs de l’art du vivant -
    ...Event: Lieux et processus créatifs de l’art du vivantInstitution: ArtissimaComment:
  • Life as We Know It and/or Life as It Could Be: Epistemology and the Ontology/Ontogeny of Artificial Life
    ...Shanken, Edward. Life as We Know It and/or Life as It Could Be: Epistemology and the Ontology/Ontogeny of Artificial Life Leonardo 31, no. 5 (October 1998): 383-388.
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