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Slippery Traces is a multi-linear visual narrative in which viewers navigate through a network of over 240 interconnected postcards classified into 24 categories or chapters. The intention of the work has been to explore database structures as a

Tracing is a two screen projection installation that uses the two-sides of a wall positioned in the middle of the gallery room to contrast two states of cultural difference in the information age. Texts and ambient sounds are continuously projected

Chance Encounters is a computer generated installation presented on video displays at the 7th and Metro Subway station platforms in Los Angeles, as part of the Experimental Art for Riders program. The theme of the installation is the chance

Pockets Full of Memories IIArtist: George LegradyComment:

An interactive installation that features a dynamically growing collection of cellphone images visually sequenced according to contributors' metadata and text tags. The public is invited to send photos taken on their cell phones adding tags to

Pegblocks are networked tactile transducers. As users manipulate the array of pegs, sliding them back and forth, motion is converted to electricity and converted back into motion through out the rest of the network. The resulting movements of the

An expanded and redesigned version of the PFOM installation, initially produced for the Centre Pompidou, Paris, in 2001. The public contributes data about an object in their possession to a database that accumulates throughout the exhibition's

Merging art with technology, conceptual artists George Legrady and Angus Forbes have transformed ubiquitous and often annoying cell phones into paint brushes for the 21st century. Their new multimedia video installation "Cell Tango" at Wellesley

An image is repeatedly sliced, reduced to an abstraction which then re-assembles itself into a different image. The animation cycles through approximately six different images. With George Legrady's artistic direction, Yun Teng assisted with the

Fragments of the image "At the Bar" are continuously re-ordered each time resulting in a new composition. With George Legrady's artistic direction, Angus Forbes contributed the visualization software.