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Schafhof - European Art Forum Upper Bavaria
AUDIO 37:00 Monika Fleischmann, Wolfgang Strauss: Wissensnetze, Medienkunst und Wissen(schaft)svermittlung. wissensnetze-medienkunst-und-wissenschaftsvermittlung
2011
audio
Wissensnetze, Medienkunst und Wissen(schaft)svermittlung
2011
https://zkm.de/de/media/audio/monika-fleischmann-wolfgang-strauss-wissensnetze-medienkunst-und-wissenschaftsvermittlung
Die Tanzen und die Toten
1983
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1983
video
Videotape [English title, The dancing and the dead] If YOU, yes YOU, the one I'm addressing, have already photographed corpses and the pried-open skull, that is even now beautiful picturedance of the corpseshots (the camera is moved) a dancer
Noise and Smoke
2012
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2012
This installation consists of two vintage Bakelite telephones from the 1950ies. They are placed in viewing distance to eachother. When visitors pick up their telephone receivers, dial a number and talk into their mouthpieces, their voices are
Composition on the Table
1998
-
1999
Composition on the Table (1998/99) is comprised of four white tables bearing physical interface components: switches, dials, and turntables. Computer graphics images are projected onto the tables from ceiling-mounted video projectors, and
Höhlenbewohner, 3D-Umgebung der virtuellen Art
1997
Sperlich, Tom and Gernot Schärmeli. Höhlenbewohner, 3D-Umgebung der virtuellen Art ct magazin für computer und technik 1 (1997): 78-81.
Transformationen des Films
1987
Weibel, Peter. Transformationen des Films In Die Schatten im Silber. Österreichische Avantgard-Filme 1976-1987, edited by Lisl Ponger and Wolfgang Drechsler, 8-9. Wien: Museum des 20. Jahrhunderts, 1987.
Cube Portrait
2007
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2007
video
Lynn Hershman Leeson turned the lens back on Lincoln Schatz by bringing in various cameras to photograph the portrait process during her session.
#fuckreality. Kunstraum Niederösterreich. 5 October- 24 November
2018
Krejs, Christiane and Martin Kusch and Alexandra Schantl and Ruth Schnell. #fuckreality. Kunstraum Niederösterreich. 5 October- 24 November. Vienna: Verlag für Moderne Kunst, 2018.
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