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  • From the curatorial essay by Christina Oyawale and Karina Iskandarsjah: "In this age of instant information and global communication, a key component of the machinery that assembles our 'borderless' world is the global shipping industry. Every year,
  • Cloud Murmurs -
    This project collects sound recordings taken in different datacenters, rooms where we store our data, websites and sensitive informations, as big clouds following us everywhere. Clouds seems to us intangible and impalpable, silent, due to their
  • Rigid Waves - video
    ... visual echo of one's own movements is represented. The "self" is transformed into another - a virtual - body. The participant sees himself or herself as a body with strangely displaced movements, and finally as an image in the mirror that breaks...
  • ... Fleischmann & Wolfgang Strauss in the historic building of the National Cultural Center, LAZNIA Center for Contemporary Art, Gdansk at the invitation of the director Jadwiga Charzynska. The artists' works were presented on three floors in their...
  • ...Urban Lights contactsArtist: Gregory Lasserre & Anais met den Ancxt - ScenocosmeComment:
  • ... culture of innovation in Bremen. The eCulture Factory project aimed to provide a platform for joint activities between the Art Academy and the University of Bremen in support of the inter-faculty course Digital Media. Through regular workshops, a network...
  • ...Cast 01: Living in Mixed RealitiesArtist: (collective) Monika Fleischmann | Wolfgang StraussComment:
  • Mobile Unit - video
    ... conditions and functionalities. The development of the Mobile Unit comprises two distinct but strongly interrelated parts: (1) the technological configuration and (2) the product design for spatial configuration of hardware elements. The central...
  • ... for Information Technology, we used the Thinking Machines’ CM-5, a parallel computer, for generative image synthesis. Starting with a digital photo of Birlinghoven Castle, the CM-5 displayed a grid of twenty mutations of the original image. The process was...
  • ... that augments the physical space and the relationship between an onlooker and a fragile and subtle environment. The artists use different types of discrete sensors to transform the walls, the furniture, the floor of an exhibition room staged as a...