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  • Digital Creativity Volume 31, 2020 - Issue 3: Shifting Boundaries: Practices and Theories, Arts and Technologies
    Brooks, Anthony. Digital Creativity Volume 31, 2020 - Issue 3: Shifting Boundaries: Practices and Theories, Arts and Technologies. Vol.31. DOI 10.1080/14626268.2020.1810433, : Taylor and Francis, 2020.
  • DO NOT CROSS -
    The two-part video installation 'DO NOT CROSS' shows rides alongside border fences in the United States, Belfast and Jerusalem. The rides are presented as stop motion videos composed of single-panorama shots. The images are taken from a common online...
  • Digital Sparks 2001
    Fleischmann, Monika and Wolfgang Strauss. Digital Sparks 2001 digital sparks.
  • Digital Sparks 2002
    Fleischmann, Monika and Wolfgang Strauss. Digital Sparks 2002 digital sparks.
  • Digital Sparks 2003
    Fleischmann, Monika and Wolfgang Strauss. Digital Sparks 2003 digital sparks.
  • Elvis -
    Videotape Art video clip as a teaser for the musical of the same name (directed by Michael Schottenberg/Theater im Kopf) in the Wiener Schauspielhaus.
  • Enchantment of the Seas -
    Print on gold-plated steel The golden tableau depicts the outline of the Mediterranean Sea and its neighbouring states; escape routes and ferry routes, routes of cruise liners and patrol boats that cross the sea on their journeys were superimposed,...
  • Digital Sparks 2006 - Wettbewerb studentischer Medienprojekte
    Fleischmann, Monika and Wolfgang Strauss. Digital Sparks 2006 - Wettbewerb studentischer Medienprojekte digital sparks.
  • Curvature - video
    Robotic object, performance A 3D printing pen attached to a robot in motion produces random topographies out of plastic filament, set at regular intervals. The resulting spatiality oscillates between liability and dissolution. The work was conceived...
  • Shades of Virtuality : From Virtual Reality to Mixed Reality - From Beeing to Becoming
    Fleischmann, Monika and Wolfgang Strauss. Shades of Virtuality : From Virtual Reality to Mixed Reality - From Beeing to Becoming Virtualities and Realities Acoustic Space, no. 17 (May 2019): 51 - 57.
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