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International experts in Cavan for Seeing Beyond The Lens’
2010
Hogan, Sinead. International experts in Cavan for Seeing Beyond The Lens’ Anglo-Celt (July 2010): http://www.anglocelt.ie/news/roundup/articles/2010/07/14/3998539-international-experts-in-cavan-for-seeing-beyond-the-lens/print.
An Emotionally Responsive AR Art Installation
2007
Benayoun, M. and Stephen W. Gilroy and Marc Cavazza and Remi Chaignon. An Emotionally Responsive AR Art Installation ISMAR’07 (2007).
E-Tree, Emotionally Driven Virtual Reality
2007
Benayoun, M. and Stephen W. Gilroy and Marc Cavazza. E-Tree, Emotionally Driven Virtual Reality Interactive Art Program, ACM Siggraph (2007).
An affective model of user experience for interactive art
2008
Benayoun, M. and Stephen W. Gilroy and Marc Cavazza. An affective model of user experience for interactive art International Conference on Advances in Computer Entertainment Technologies (2008).
Sono reMorphed
2007
video
As one of the installation's aesthetic goals is the bodily impression of the generated object on the user, a sound synthesis technique was in demand, that is able to both render a visible object's genuine sound thru all its user-inferred alterations
PAD–based Multimodal affective fusion
2009
Benayoun, M. and Stephen W. Gilroy and Marc Cavazza. PAD–based Multimodal affective fusion Affective Computing and Intelligent Interaction (2009).
conFIGURING the Cave
1997
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1997
ConFIGURING the CAVE is a computer based interactive video installation that assumes a set of technical and pictorial procedures to identify various paradigmatic conjunctions of body and space. The work utilises the CAVE technology stereographic
Blue Window Pane II
1998
-
2000
"Blue Window Pane is a CAVE virtual reality art experience that includes networking, live video, and sound activated graphics. Participants explore and actively ignite events to gain a knowledge base through exploration and perceptual interaction.
Using affective trajectories to describe states of flow in interactive art
2009
Benayoun, M. and Stephen W. Gilroy and Marc Cavazza. Using affective trajectories to describe states of flow in interactive art International Conference on Advances in Computer Entertainment Technologies (2009).
The Living Web
2002
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2002
video
This CAVE-based interactive and immersive installation explores the potential of the world-wide web as interactive and immersice data and information medium. Today information on the Internet is presented in a standard fashion, as defined by the
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