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  • Event: 27th Congress of German Art HistoriansInstitution: Association of German Art HistoriansComment:
  • Event: Histórias da SexualidadeInstitution: Museu de Arte de São Paulo—MASPComment:
  • DOMINGUES, DIANA MARIA G. I'Mito: zapping zone In Direções no novo espaço - Histórias da arte e do espaç, edited by Paulo Sergio DuarteVol.6. , 60-60. 5ª Bienal do Mercosul: Fundação Bienal do Mercosul, 2005.
  • DOMINGUES, DIANA MARIA G. I'Mito: zapping zone In Direções no novo espaço - Histórias da arte e do espaç, edited by Paulo Sergio DuarteVol.6. , 60-60. 5ª Bienal do Mercosul: Fundação Bienal do Mercosul, 2005.
  • DOMINGUES, DIANA MARIA G. I'Mito: zapping zone In Direções no novo espaço - Histórias da arte e do espaç, edited by Paulo Sergio DuarteVol.6. , 60-60. 5ª Bienal do Mercosul: Fundação Bienal do Mercosul, 2005.
  • To explore the use of motion of physical objects to convey information and emotion, we have designed a series of Expressive Kinetic Objects. The Dyna-Lux is a kind of Expressive Kinetic Objects. The Dyna-Lux is a table lamp augmented with a
  • mediaBlocks -
    The mediaBlocks project is a tangible user interface based upon small, electronically tagged wooden blocks. The blocks serve as physical icons ("phicons") for the containment, transport, and manipulation of online media. mediaBlocks interface with
  • PSyBench -
    PSyBench is a general platform for creating distributed Tangible Interfaces for collaborative design. Objects on an augmented tabletop are physically synchronized with identical objects on a remote table, allowing distant users to cooperatively
  • Hiroshi Ishii is the Jerome B. Wiesner Professor of Media Arts and Sciences, at the MIT Media Lab. He joined the MIT Media Lab in October 1995, and founded the Tangible Media Group. He currently directs the Tangible Media Group, and he co-directs
  • Ishii, Hiroshi and Tangible Media Group. Get in Touch. Tangible Bits: Bridging Digital and Physical In Who´s doing the art of tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine SChöpfNew York, Wien: Springer,