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Tseng, Jane. The Birth of Eve Clone - Technological Satire of a Genetic Reproduction Laboratory Art Appreciation (2011): 61-63.

Yeh, C. J.. Is Life Beautiful? On Lin Pey-Chwen´s Anti-Tech Tech Art Ming Chuan - Magazine (2011): 53-56.

Berlot, Uršula. Duchamp and Mimesis Ljubljana: Research Institute of the Academy of Fine Arts and Design, University of Ljubljana (2011).

Berlot, Uršula. Duchamp and the Notion of Optical Tactility Art, Emotion and Value. 5th Mediterranean Congress of Aesthetics. University of Murcia (2011).

Berlot, Uršula. Biomimesis and Contemporary Art Journal for Critique of Science, Imagination and New Anthropology. Ljubljana: Študentska založba XXXIX, 2011, no. 244 (2011).

Kluszczyński, Ryszard W. and Derrick de Kerckhove and Luca Farulli and Monika Fleischmann and Wolfgang Strauss and Ryszard W. Kluszczyński and Derrick DeKerckhove and Luca Farulli and . Performing Data - Monika Fleischmann + Wolfgang Strauss.

Farulli, Luca. Voices Gestures Contact In Performing Data: Monika Fleischmann + Wolfgang Strauss, edited by Miękus Vol.http://www.artlinecatalogue.eu/event-performing-data.html.

.. Contemporary Art in Slovenia, European Central Bank, Frankfurt am Main, 22th of June – 15th of September 2011. Frankfurt am Main: European Central Bank, Banka Slovenije . (2011).

Nechvatal, Joseph. Immersion Into Noise. Ann Arbor: OPEN HUMANITIES PRESS, 2011.

Robles, Claudia. Creating Interactive Multimedia Works with Bio-data. NIME 2011 Proceeding (2011): 421-424.