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Bewegung in Silber
2002
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2002
Commissioned by Stiftung Bauhaus Dessau for the Bauhaus Farbfest: Silber 2. Prize at the competition ''Hören und Sehen'' organized by the ZKM (Center for Art and Media) in Karlsruhe and the Institute fuer Neue Musik in Darmstadt. Inspired by the
Bauhaus Farbfest: Silber
2004
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2004
Event: Bauhaus Farbfest: SilberInstitution: Bauhaus DessauComment:
Quarxs à la Brain Factory: Dialogue between Maurice Benayoun and François Schuiten
2016
Event: Quarxs à la Brain Factory: Dialogue between Maurice Benayoun and François SchuitenInstitution: Machines à dessiner à l'heure du numérique, Musée des arts et métiersComment:
Quarxs, dessins et vidéos
2011
Event: Quarxs, dessins et vidéosInstitution: Médiathèque Georges SandComment:
Transdisciplinarité virtuelle, con-fusion et sens dessus dessous
2003
Event: Transdisciplinarité virtuelle, con-fusion et sens dessus dessousInstitution: H2PTM, Créer du sens à l'ère du numérique, Université Paris 8Comment:
reWrite
2007
The focus of an artwork such as reWrite is identity. The work addresses this theme through the use of interactive systems, where the relationship between the viewer and the artwork is explicit and active. This act of interaction functions to raise
Rafael Lozano-Hemmer
Rafael Lozano-Hemmer was born in Mexico City in 1967. In 1989 he received a B.Sc. in Physical Chemistry from Concordia University in Montréal, Canada. Electronic artist, develops interactive installations that are at the intersection of
Prophylexis
2015
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2015
Kapton material was developed in sixties by Dupont, a chemistry american company. From the very beginning it was one of the main used materials by aeronautics industries for it´s hot and radiation isolates properties what was become in the ideal
Intro Act
1995
Sommerer, Christa and Laurent Mignonneau. Intro Act In 3rd Biennale d´Art Contemporain de Lyon, edited by H. Destezet, 378-381. Paris: Reunion des Musees Nationaux/ Biennale d´Art Contemporain, 1995.
Plane
2000
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2000
Three destinations host this performance, which consists of producing the same “micro-action” of throwing a paper plane. A video relates the stages of these initiation voyages to a Stalin- era building in Moscow, to the Grand Canyon in Arizona and
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