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Mixed Reality - der erweiterte Raum vernetzter Strukturen
1999
Fleischmann, Monika. Mixed Reality - der erweiterte Raum vernetzter Strukturen Frauenarbeit und Informatik, Schwerpunktthema: Virtualität 19 (1999): 38-41.
AVATARS! Exploring and Building Virtual Worlds on the Internet
1998
Damer, Bruce. AVATARS! Exploring and Building Virtual Worlds on the Internet. Berkeley, California: Peachpit Press, 1998.
Der Berliner Schlüssel: Erkundungen eines Liebhabers der Wissenschaften
1996
Latour, Bruno. Der Berliner Schlüssel: Erkundungen eines Liebhabers der Wissenschaften. Berlin: Akademie Verlag GmbH, 1996.
CTRL (space): Rhetorics of Surveillance from Bentham to Big Brother
2002
Levin, Thomas Y. and Ursula Frohne, ed. CTRL (space): Rhetorics of Surveillance from Bentham to Big Brother. Cambridge, MA: MIT Press, 2002.
Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens
2002
Zielinski, Siegfried. Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens. Reinbek, DE: Rowohlt Taschenbuch Verlag, 2002.
Virtual Scenography: The Actor/Audience/Computer Interface
1996
Reaney, Mark. Virtual Scenography: The Actor/Audience/Computer Interface Theatre Design and Technology 32, no. 1 (Winter 1996): 36-43.
Mind Children: The Future of Robot and Human Intelligence
1988
Moravec, Hans. Mind Children: The Future of Robot and Human Intelligence. Cambridge, MA: Harvard University Press, 1988.
Das Netz entdecken. Die Berliner Transmediale sucht die Verschwörung
2006
Heidenreich, Stefan. Das Netz entdecken. Die Berliner Transmediale sucht die Verschwörung Frankfurter Allgemeine Zeitung (5th February 2006).
The Sky is (not) the Limit: Envisioning the Ultimate Public Media Display
2009
Huhtamo, Erkki. The Sky is (not) the Limit: Envisioning the Ultimate Public Media Display The Journal of Visual Culture 8, no. 3 (December 2009): 329-348.
_HTTPpix _HTTPvideo Criação e Crítica nas Redes de Imagens
2010
Beiguelman, Giselle, ed. _HTTPpix _HTTPvideo Criação e Crítica nas Redes de Imagens. São Paulo: Instituto Sergio Motta, 2010.
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