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  • Visualization in the Life Sciences
    Cox, Donna. Visualization in the Life Sciences In Aesthetic Computing, edited by Paul FishwickThe Leonardo Book Series, , 89-14. Cambridge, MASS: MIT Press, 2006.
  • Leonardo
    Takita, Jun. Leonardo Journal of the international society for the arts, sciences and technology 37, no. 4 (2004).
  • Hylozoic Soil
    Beesley, Philip. Hylozoic Soil Leonardo: Journal of the International Society for the Arts, Sciences and Technology 42, no. 4 (2009).
  • Andreas Maria Jacobs
    Bio (short) Agam (A.) Andreas [Andreas Maria Jacobs - NL 1956] studied experimental physics and musicology at the University of Amsterdam NL (BSc. 1978), electronic and computer music at the State University Utrecht NL (1981) and holds a BSc. in
  • Hartmut Jahn
    Hartmut Jahn is a German artist, film-director and author in the field of media. He has been appointed Professor in the Media Design department at Mainz University of Applied Sciences in 1998. Since 2011 he has been director / speaker of the Mainz
  • The Machines Above Us: An Overview of the ‘Celestial Mechanics New Media Artwork
    Hessels, Scott. The Machines Above Us: An Overview of the ‘Celestial Mechanics New Media Artwork proceedings of Mutamorphosis: Challenging Arts and Sciences (2007): 38-39.
  • “Metamorphoses…”, in "Hybrid Space"
    Ippolitov Arcady. “Metamorphoses…”, in "Hybrid Space". St Petersburg, Russia: The Petersburg foundation for culture and the arts “PRO ARTE Institute”, State Russian Museum of Arctic and Antarctic, Russian Academy of Sciences, 2002.
  • Leonardo (Journal of the International Society of Arts, Sciences and Technology) Volume 34 Number 4.
    Roger Malina, ed. Leonardo (Journal of the International Society of Arts, Sciences and Technology) Volume 34 Number 4.. Vol.34. 4 th ed.New York, NY: Leonardo / MIT Press, 2001.
  • Olga Kisseleva
    "The artist Olga Kisseleva's approach to her work is much the same as a scientist's. A discrepancy detected during a procedure or within the workings of a structure oblige her to formulate a hypothesis, in order to explain the complication in
  • Lia
    Lia is an Austrian artist and one of the early pioneers of software and net art. Since 1995, she has been creating digital art, installations and sound works. Her work plays with the aesthetic of digital images and algorithms, and her output
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