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  • CHAMBERS VR -
    A Stenger Classic in minimal style and with intense VR atmosphere. Released in 2018 Experience one excerpt from "Chambers VR" with your Oculus helmet and left "Touch" interface, by downloading the zip file from my website. Link on left.
  • THE WISH VR -
    VR movie in progress with video version published in 2015 Currently being transfered into Unity and Oculus. Experience one excerpt from "The Wish VR" with your Oculus helmet and left "Touch" interface, by downloading the zip file from my website.
  • Mind is a Leaking Rainbow
    Stenger, Nicole. Mind is a Leaking Rainbow In Cyberspace: First Steps, edited by Michael L. BenediktCambridge, MA: The MIT Press, 1991.
  • Nicole Alber
    Scholar: Nicole Alber
  • Directors Lounge (the 7th Berlin International Directors Lounge, 2011)
    Kika Nicolela - curator.
  • Data Arcade -
    Data Arcade contains three games: Stock Invaders, Pipe Mania and Oil Kong. They are derived from famous existing games. Nideffer adds political and economic issues.
  • @rt Outsiders International Digital Art Festival 2007 – Territoires Invisible -
    2007 Maison de la Photographie, Sept 12-30 2007 Art@utsiders - Territoires Invisible http://www.art-outsiders.com/default_eng.htm (exhibiting artists: Charles & Ray Eames, Semiconductor, Ken Goldberg & Karl Bohringer, Gregory Chatonsky, Victoria
  • Archeonautes. Exposition collective -
    2017 Galerie Charlot Paris (May 27th 2017 to June 3rd 2017) "Archeonautes" Exposition collective Participants: Morehshin Allahyari, Eduardo Kac, Nicolas Maigret - Maria Roszkowska - Clément Renaud, Laurent Mignonneau - Christa Sommerer, Quayola,
  • POPUREVE - video
    POPUREVE, a fast-paced 3D animation about the 1789 Revolution, reshuffling several recurring themes about freedom, equality and the guillotine, is Stenger's second digital movie and fantasy work about French History, after GALLIA (1987-88) The movie
  • Layers of Visibility -
    Between 2013 and 2017, a series of artists associated with the University of Plymouth, UK, responded to Cyprus through residencies at Nicosia Municipal Arts Centre. The works included in the exhibition and publication indicate a range of different
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