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  • LumiTouch -
    The Lumitouch system consists of a pair of interactive picture frames. When one user touches her picture frame, the other picture frame lights up. This touch is translated to light over an Internet connection. We introduce a semi-ambient display
  • Tangible Viewpoints -
    Tangible Viewpoints is a system for interacting with a character driven narrative. The different segments of a multiple point-of-view story are organized according to the character viewpoint they represent, as well as their place in the overall
  • Grau, Oliver. A história da telepresenca: automatos, ilusao e a rejeicao do corpo In Corpos Virtuais, edited by Ivana Bentes, 112-117. Rio de Janeiro, Brazil: Centro Cultural Telemar, 2005.
  • Guasch, Anna María. La crítica de arte. Historia, teoría y praxis. Barcelona, Spain: Serbal, 2003.
  • Andres E Burbano. Reporti del projecte: Invencions en les vores de la Història Reporti del projecte: Invencions en les vores de la Història (2013).
  • Gilles Charalambos. Retrovisión Espectral-Aproximaciones a una historia del videoarte en Colombia. Bogotá, Colombia: IDARTES, 2018.
  • Urban Simulation -
    The Furp ("Future of Urban Planning") project exists as a first step toward disseminating the work undertaken in the Luminous Room project into the world at large. Specifically, we are engaged in a collaboration with MIT's Department of Urban
  • pinwheels -
    The pinwheels project continues the study of Ambient Fixtures to communicate digital information at the periphery of human perception through ambient media. This project takes fields of pinwheels and explores what arrangements create interfaces that
  • Strata -
    The Strata project explores the design of layered, electronically-augmented physical models that serve as tangible interfaces to specific dataspaces. Strata's first application is an interface that embodies the physical structure of the Media
  • Gilles Charalambos. Retrovisión Espectral-Aproximaciones a una historia del videoarte en Colombia. Bogotá, Colombia: IDARTES, 2018.