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  • Creatures #4 -
    CREATURES #4 6/7/8 May 2016 16:00-21:00 Opening on Friday 6 May 2016 at 16:00 Interactive installation by Pier Giorgio De Pinto @ Keck-Kiosk Klybeckstrasse 1b, Basel Tram Nr.8 - Stop Kaserne keck-kiosk.ch/interaktive-installation-creatures-4/ All
  • Form/Code/Maps: Zeichenluft -
    The exhibition features spatial and site-specific works from the series 'Form.Code.Maps', which translate areas of experience such as landscape, body, space, atmosphere into fluctuating computer-generated 3-D lenticular images. Introduction:
  • The Imaginary Hotel -
    The Imaginary Hotel allowed visitors to occupy and design their ideal room within and fill it with personal content and inspiration. The installation architecture resembled a typical hotel room with its ubiquitous furniture and appliances. In
  • Lisa Cianci (Blackaeonium)
    Lisa Cianci (A.K.A Blackaeonium) is an artist, archivist, and digital media developer from Melbourne, Australia. She makes art in both analogue and digital formats, with her current focus on real-time, code-driven animations, digital video, and
  • E/M/D/L - European Mobile Dome Lab for Artistic Research (2013-15)
    Schnell, Ruth and Martin Kusch. E/M/D/L - European Mobile Dome Lab for Artistic Research (2013-15) In Contemporary Code - Artistic Research, edited by G. Bast and A. Damianisch and R. Schuler, 56-59. Vienna: University of Applied Arts Vienna,
  • ACM SIGGRAPH Digital Arts Community Online Exhibition
  • Naked Bandit
    Knowbotic Research investigates in the context of the "war of terror" legal frameworks which inscribe and determine in mostly invisible layers our public fields of action. KR directs the attention away from the dominant layer of represen-tation
  • Energy_Passages - video
    ENERGY PASSAGES 2004 Energy Passages transforms the ordinary into something extraordinary. The daily newspaper becomes a poetic audio-visual field of keywords flowing through urban space. The installation is designed to make visitors think about how
  • Flying Crane
    Gallery view from outside. The artist's first robotic brush strokes were achieved in 1987. The strokes achieve spontaneous qualities using coded procedures. The software generates a brush form and requests a paint brush. The artist places a
  • The Last Supper And The City of Bits. Continuing the search for the Soul of the City. -
    Stanza. Title. The Last Supper And The City of Bits. Continuing the search for the Soul of the City. Stanza presented this artwork below and gave an artists talk as part of the Folly Digital Lunch series. Twelve guests were invited to this
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