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  • When communications create and utilize a woven web of connections and when people feel they belong to something bigger than the global village, closer to what could be a global body, we discover the real obstacles and barriers that keep human kind
  • Joseph Nechvatal's contemporary art practice engages in the fragile wedding of image production and image resistance. Through his version of an art-of-noise, he brings a subversive reading to the human body through computational viruses,
  • The Art Institute of Nanjing University and Nanjing U Museum of Art exhibit for the first time in China “Just Dig It!” by Maurice Benayoun. Produced and presented by Osage Gallery in 2016, “Just Dig It!” presents VR artworks created from 1995 to
  • Students from CityU School of Creative Media and Nanjing University Art Institute tracking the obstacles in mediated communication. During the first decades of digital computing and networking, the emphasis was put on the potential of the
  • Hauser, Jens and Ingeborg Reichle and Hans-Jörg Rheinberger. Synthetisch: Biologie und Kunst In Experimentalität: Hans-Jörg Rheinberger im Gespräch über Labor, Atelier und Archiv, edited by Hans-Jörg Rheinberger, 94-103. Berlin: Kulturverlag
  • The "UFF" situation took place in Graz, Austria from 17-22 May 2013 and was concerned with food generally, and more specifically with the industrialisation of Austrian farming practices and the impact of this on animal welfare, the environment, and
  • Born in Mascara, Algeria in March 1957, from a father killed before his birth in the Algerian independence war. He moved to France in 1958, following his mother and his brother, to live in popular suburbs in north Paris where the family stayed
  • Ellen Pearlman is a New York based media artist, curator, writer and critic. She is a Research Fellow at MIT, Senior Research Assistant Professor at RISEBA University in Riga, Latvia and a Contributing Editor to Performance Arts Journal (PAJ) MIT
  • Bush, Vannevar. As We May Think The Atlantic Monthly 176, no. 1 (1945): 101-108.
  • Pearlman,Ellen. Nothing and Everything: The Influence of Buddhism On the American Avant Garde, 1942-1962.. Berkeley: North Atlantic Books, 2012.