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Mixed Media (1982 - 1984)
1982
-
1984
To enhance his performances, presented between 1980 and 1982 in Rio de Janeiro and in other Brazilian states, Kac started to produce visual texts, small sculptures, graffiti, and other kinds of images and objects. After the conclusion in 1982 of his
Escracho
1983
Kac, Eduardo. Escracho. Rio de Janeiro: Sai Dessa Lama, 1983.
Beatriz Escribano Belmar
Bachelor of Fine Arts, finished in 2011 at the Faculty of Fine Arts of Cuenca, University of Castilla La Mancha (UCLM), with honours at her Final Project which consists of a multiscreen video installation. She works and is specialized in the field
Convulsive Tropical Beauty
2014
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2014
Beleza Convulsiva Tropical discute a tensão entre natureza e cultura, o informal e o formal, as situações de enfrentamento entre controle e descontrole que se emaranham à história cultural e urbana do Brasil. Aqui os trópicos são entendidos como uma
MEMORAT - Memória e Cultura na Escrita Brasileira
2010
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2010
Event: MEMORAT - Memória e Cultura na Escrita BrasileiraInstitution: UFPE Comment:
Eduardo Kac e a escrita do corpo no espaço
2010
Tinoco, Bianca. Eduardo Kac e a escrita do corpo no espaço Revista Concinnitas , no. 17 (2010): 120-127.
Eduardo Kac e a escrita do corpo no espaço
2010
Tinoco, Bianca. Eduardo Kac e a escrita do corpo no espaço Revista Concinnitas , no. 17 (2010): 120-127.
Nilo Casares
escritor y comisario crítico de arte volcado en la difusión y promoción del arte público y las artes digitales writer and art critic consultant devoted to spreading and promotion of public and digital art
¿Por qué llamarlo Copia, si es Original?. El arte de la Copia Original odel Original Múltiple como estrategia creativa. / Why call it Copy, if it is Original?. The Art of the Original Copy or the Multiple Original as creative strategy.
2015
Escribano Belmar, Beatriz. ¿Por qué llamarlo Copia, si es Original?. El arte de la Copia Original o del Original Múltiple como estrategia creativa. / Why call it Copy, if it is Original?. The Art of the Original Copy or the Multiple Original as
Las colecciones de obras intangibles del MIDECIANT de Cuenca. Del museo físico al museo virtual. / The collections of intangible artworks of the MIDECIANT of Cuenca. From the physical museum to the virtual museum
2011
Alcalá Mellado, José Ramón and Beatriz Escribano Belmar and Vicente Jarque Soriano. Las colecciones de obras intangibles del MIDECIANT de Cuenca. Del museo físico al museo virtual. / The collections of intangible artworks of the MIDECIANT of
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