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Imagining Macondo: Interacting with García Márquez’s Literary Landscape
2015
...Burbano, An
dre
s. Legardy,
Georg
e. Forbes, Angus. Imagining Macondo:...
Imagining Macondo: Interacting with García Márquez's Literary Landscape
2015
...Angus Graeme Forbes and
Georg
e Legrady and Paul Murray and An
dre
s...
Journey to the Moon
2007
-
2007
... Experimentalfilmer
Georg
es Méliès. Auf neun...
Imaginary Workspaces
2022
Imaginary Workspaces is a series inspired by dystopian science fiction narratives as written by Stanislaw Lem and Philip K. Dick that imagine fictional industrial workspaces. This collection of invented images oscillate between retro futuristic
On the Road
2013
“On the Road”, consists of twelve lenticular panels that explore the cinematic narrative potential of the photographic image in non-electronic form. The exhibition’s title “On The Road” makes reference to the defining work of the Beat Generation’s
Refraction
2010
"Refraction" explores the cinematic narrative of the photographic image in a non-electronic form, the lenticular medium, a process in which two or more images can be seen sequentially simply through the changing of the observer’s viewing
inSite 2000
2000
-
2001
... Harvey, Masao Miyoshi,
Georg
e Yúdice, David Avalos,...
European Media Art Festival 2005: Document
2005
... Land (formerly known as
Georg
e Landow).
We are Stardust
2008
-
2010
I received an invitation to work with the NASA Spitzer Space Center at CalTech in 2008 to realize an installation project for the exhibition OBSERVE held at the Art Center of College of Design in Pasadena. Following discussions and presentations by
Phantom Waves
2021
The November 1973 issue of Scientific American featured an article titled “The Recognition of Faces” by Bell Labs researcher Leon Harmon that explained how we perceive pixelated digital photographic images. Using a low-resolution, portrait of
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