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remixthebook!
2011
Amerika, Mark. remixthebook!. Minnesota: University of Minnesota Press, 2011.
Creative Evolution: natural selection and the urge to remix
2011
Amerika, Mark, ed. Creative Evolution: natural selection and the urge to remix. UK: Open Humanities Press, 2011.
From Reading to Pattern Recognition
2011
Manovich, Lev. From Reading to Pattern Recognition http://manovich.net/index.php/projects/article-2011.
Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations
2011
Simanowski, Robert. Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations. Vol.35. Electronic Mediations, Minneapolis: University of Minnesota Press, 2011.
Finger Codes
2011
Gates-Stuart, Eleanor and Richard Wohlfeiler. Finger Codes Imprint, Print Council of Australia 46, no. 2 (2011).
The Routledge Companion to Research in the Arts
2011
Biggs, Michael and Henrik Karlsson, ed. The Routledge Companion to Research in the Arts. The Routledge Companions, 2011 th ed.London, UK: Routledge, 2011.
Timbral Architectures, Aurality's Force. Sound and music
2011
Salter, Chris. Timbral Architectures, Aurality's Force. Sound and music In William Forsythe and the practice of choreography: It starts from any point, edited by Steven SpierNew York: 2011.
UpStage: An Online Tool for Real-Time Storytelling
2011
Jamieson, Helen Varley and Vicki Smith. UpStage: An Online Tool for Real-Time Storytelling Creative Technologies Journal , no. 2 (November 2011).
Cyberformance and the Cyberstage
2011
Papagiannouli, Christina. Cyberformance and the Cyberstage International Journal of the Arts in Society 6, no. 4 (2011).
A MAZE ABOUT MAIZE: A MESOAMERICAN DIVINITY AND ITS TRANSGENIC AVATARS
2011
Badani, Pat. A MAZE ABOUT MAIZE: A MESOAMERICAN DIVINITY AND ITS TRANSGENIC AVATARS [14.09.2011].
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