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  • Invisible Cantilever -
    This project considers the distance between the viewer and what is being viewed. How does technology alter our perceptions of distance, scale, and structure? Technologies for viewing continue to evolve, from the camera obscura to the telescope to
  • Sally Sheinman
    I am a prolific painter with an interest in contemporary technology and its potential uses in art production. I am conscientious artist with a deep concern for communities (past, present and mythical), people, science and the role of the individual
  • Images, Language and Belief in Synthesis
    Legrady, George. Images, Language and Belief in Synthesis In Critical Issues in Electronic Media, edited by Simon Penny: SUNY Press, 1995.
  • Two Origins, Relational Architecture 7 -
    "Two Origins" transforms the emblematic Place du Capitole by projecting the heretic "Book of Two Origins", a 13th century manuscript compiling the core theological beliefs of the dualist Cathars. Once a vibrant community in Toulouse, believers in
  • Nalini Malani
    Malani's work is influenced by her experiences as a refugee of the Partition of India. She places inherited iconographies and cherished cultural stereotypes under pressure. Her point of view is unwaveringly urban and internationalist, and unsparing
  • Metapaisajes. El paisaje a través del arte digital -
    The landscape is not just the natural environment or its representation. It is in itself a cultural construct, subject to the codes and beliefs of those who have configured it, be it physically (determining its shape by the arrangement of gardens,
  • Mind Cathedral ( VR ) (w.i.p.)
    M I N D CA T H E D R A L V I R T U A L R E A L I T Y Mind Cathedral is a gigantic abstract VR construction, consisting of enormous pillars seemingly thrown on to and over one another, creating a kind of mental vertigo. They are hollow, so if one
  • Dark Matter
    'Dark Matter' is a fully immersive, physically interactive, three-dimensional digital projection environment. The artwork explores whether the body might be perceived as an absence, inferred from the physical and cultural information around it. In
  • Re: Dakar Arts Festival video
    The Re: Dakar Arts Festival project documents an ongoing art scam form. The scammers approach artists and galerists with open calls for a fake festival in Dakar, Senegal. To appear professional, they adopt different identities. To unveil their
  • Parodic Machines -
    Event: Parodic MachinesInstitution: Van Every Gallery, Belk Visual Arts CenterComment:
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