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  • Wie das leise Spiel an der Kinder-Krippe fügen sich Formen im Schattenspiel zu einer Geschichte. Das hat etwas Zauberhaftes, doch die Bilder brechen schnell mit der vermeintlichen Idylle. Die indische Künstlerin Nalini Malani ist mit ihrer
  • Speakeasy is a telephone service that connects new immigrants with bilingual community members who are familiar with local resources and social service options. This project provides access to language interpretation wherever it is needed. To use
  • EVALUATION OF PHYSIOLOGICAL VARIABLES in an unusual context, that is, non-clinical or laboratory, using a T-shirt developed by undergraduate students in Electronic Engineering and Masters in Biomedical Engineering, with sensors capable of measuring
  • The 2008 Festival runs from May 29 to June 1st, with the Holography workshop occurring on the weekend previous, May 24 and 25th. Please use the tabs to your right to navigate our most current schedule. Note that the schedule is subject to change.
  • Poetrica -
    Poetrica is an investigation about reading and reception in entropic and cybrid situations and a practice of appropriation of the advertisement system as public space. It was launched at Galeria Vermelho, in São Paulo, 2003, and closed in
  • Lynn Hershman Leeson (b. 1941, USA) is a recipient of the 2010-2011 d.velop digital art and 2009 SIGGRAPH Lifetime Achievement Awards. She also is a recipient of the 2009 John Simon Guggenheim Memorial Foundation Fellowship, which that supports her
  • Sleeping Bed -
    In our society sleep and wake rhythm is to a large extent influenced by work schedules. People should go to bed at a certain time, the period spent asleep should be held on a quiet place at night. Sleep research is concentrated on the biological act
  • Scheige, Gerardo.. Der Klang des Köerpers Neue Zeitschrift für Musik , no. 2018/03 (2018): 56.
  • Scheige, Gerardo.. Der Klang des Köerpers Neue Zeitschrift für Musik , no. 2018/03 (2018): 56.
  • Scheige, Gerardo.. Der Klang des Köerpers Neue Zeitschrift für Musik , no. 2018/03 (2018): 56.