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S_traitsArtist: Bill SeamanComment:

Installation and storage/sculpting system that collects the creation of digital files in real time. The system is prepared for the rendering of 3D scenes that are collected in a series of marble sculptures with a USB memory inside.

The installation consists of the following 2 parts: – a software program which analyzes texts of two periods (1900-1917 and 2000-2017) in order to calculate the index of their transcendence; – a robotic device which cooks 2 borschts (borscht is a

Conceived as a sculpture/interface that obtains biometric color and sound data from the environment. The work is activated with a noise level higher than the one configured to start making a visual sweep that is altered by the sound wave. With this

Kinetic sculpture that represents in real time the transfer of files from a database of moving bodies. Files of type BVH (biovision hierarchical files) are transferred between servers in the northern and southern hemispheres coinciding with the

Contestational BiologyArtist: Critical Art EnsembleComment:

acryl, pastel and marker on paperdim: 68 x 88 cm (each), series (6) Reminiscent of clouds of interstellar dust and ionized gases, this series of drawings is technically based on abstract templates derived from microscopic recordings. Thus, the

HeadArtist: Lillian F. SchwartzComment:

Telling Motions Bill Seaman 1985-86, 20:10 min, color, sound This dreamlike, hypnotic work is structured in four sections, each of which repeats, in various permutations, key visual and verbal systems. Part One introduces the main theme — a poetic

The 'Engine of Engines' is a generative sound & video installation that responds in real-time to network traffic in the local environment. In the Hong Kong debut (see video), sixteen self-contained nodes, each composed of a screen, processing-unit,