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New Media Caucus NMC
Spectropia
1999
-
2002
A work in progress , is an evening-length interactive media performance performed by two players with the the participation of audience members. Spectropia can also be presented as an interactive installation for two viewers at museums, festivals
Text Rain
1999
Text Rain is an interactive installation designed to blur the boundaries between physical and virtual space. Viewers play with falling text which responds to their motion. The text may be caught, lifted and released to fall again. If participants
Hotel Synthifornia
1999
"Hotel Synthifornia ironically paraphrases the Eagles all-time-classic: 'Such a lovely place, such a lovely face... Relax!' Find yourself caught by the schizophrenic interpretation of a shoot-up game like Epic Games' Unreal. The semantic shift from
Noor: A Brain Opera
2016
video
Noor: A Brain Opera, Ellen Pearlman’s latest installation, is a 360 degree fully immersive, neurologically driven performance that took place on May 18, 2016, ISEA 2016 Hong Kong international society for electronic art. An EEG (electroencephalogram
Concentricity
2019
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2019
Do you know that feeling when you've taken LSD and, while observing a nondescript object, a jolt suddenly hits you? You notice an incredible wealth of details! Something you thought was mundane is actually incredibly beautiful, filled with textures
Performance and Media Art Caught between Art History and Visual Culture Studies
2006
Event: Performance and Media Art Caught between Art History and Visual Culture StudiesInstitution: University of OsnabrückComment:
Ouroboric perception and the effects of enactive affectivesystems to the naturalization of Technologies.
2016
DOMINGUES, DIANA MARIA G. Ouroboric perception and the effects of enactive affective systems to the naturalization of Technologies. Media-N, Journal of the New Media Caucus 16 (2016): 20.
The Spectrascope
2004
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2004
The gallery installation of The Spectrascope consists of a large scale projection of the image updating in real-time accompanied by the 'fear frequency'*. This is an audio frequency of 19hz, which is just below the range of normal
Supertube
1968
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1968
A high volume of air was blown from below into a long open-ended polythene tube caused it to flap around wildly in the sky. Smoke and confetti could be added to the air stream.
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