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SEASCAPE consists of a series of gradually unfolding digital seascapes created using imagery captured by webcams installed at five key coastal vantage points between Margate and Portsmouth. Sited at each location for up to a year before the start of

Five into one est l'une des premières oeuvres en « réalité virtuelle ». Le principe en est de construire une image tridimensionnelle globale, virtuelle, c'est-à-dire exclusivement calculée et mise en mémoire dans un ordinateur.

Sym-Ulations allows participants to explore the asymmetry of their own faces.It also allows them to use their own face to create humorous impossible faces. User Interaction: The user holds a "Setup" button and sees a mirror image of his face

London 2013 – and 2014 – reveal the view from Christina Niederberger’s studio on the 8th floor of ASC Studios’ Erlang House looking north over London’s newly emerging skyline. The images were constructed a pixel a second from top left to the bottom

Word Play is a permanent installation in the Stadstheater - the main theater in Arnhem, which stages both the classics and contemporary theatre. Word Play is constructed of two LED text displays that are mounted on rails and motorized so they move

An Explicit Volume is an interactive installation comprising nine books arranged in a three by three grid. Each book is operated by an electronic page turner. The project is sited in a darkened space where four red vinyl chairs are arranged facing

This image represent the emotional secret of the artworks creation. All that you think can be used on your digital sheet only after a meditation onvery complex project. To the left you can see the artist and to the right the artwork. Disegnare

Suit on the Phone Digital print. Size: various Date created: Spring 1994 Victor: Here again is another early Soft-image 3D piece that I created when I was working in Hollywood as an IRIS print operator. This was at Klein Design in that tall thin

As you enter into the space you are confronted with a dramatic and disturbing combination of images and sound. A ‘wall’ of figures, naked and staring straight at the audience span the width of the gallery space. The life size figures initially

In "Shock Absorber" a live feed is taken from broadcast television and separated it into two parts in real time. One part contains all the movements, edits and high frequency visual stimulation. The other part contains everything that is left over