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  • Julius von Bismarck
    The medium of light transversing a space is the very property that makes space experiential, and therefore 'real'. Julius then might use optical elements such as mirrors and lenses, to add an-other dimension to these physical spaces. Drawing on
  • Riebe Markus
    „My intention: healthy chaos, healthy amorphousness in a known medium which consciously warmed a cold, torpid form from the past, a convention of society, and which makes possible future forms.“ Joseph Beuys Markus Riebe is an Austria based
  • Marta de Menezes
    "Marta de Menezes is a Portuguese artist (b. Lisbon, 1975) with a degree in Fine Arts by the University in Lisbon, a MSt in History of Art and Visual Culture by the University of Oxford, and a PhD candidate at the University of Leiden. She has
  • Virtual Reality: A new Medium for the Artist?
    Shaw, Jeffrey. Virtual Reality: A new Medium for the Artist? Virtual Reality International 92, Impacts and Applications (1992): 65-68.
  • Virtualität und Interaktivität als Medium - Die Auflösung des Raumes
    Fleischmann, Monika. Virtualität und Interaktivität als Medium - Die Auflösung des Raumes Der GMD Spiegel 1 (1996): 42-44.
  • Stanza
    Stanza is an internationally recognised artist, who has been exhibiting worldwide since 1984. His artworks have won prestigious painting prizes and ten first prize art awards including:- Vidalife 6.0 First Prize. SeNef Grand Prix. Videobrasil First
  • Liquid Views
    Fleischmann, Monika and Wolfgang Strauss and Christian Bohn. Liquid Views In Inter Medium Textbook, edited by Ito ToshiharuKyoto: 1997.
  • Film Medium: Zoe Beloff´s Uncanny Resurrections
    McCleave, Leslie. Film Medium: Zoe Beloff´s Uncanny Resurrections Res Magazine 5, no. 3 (2002).
  • Einleitung
    Weibel, Peter. Einleitung In Kunst ohne Unikat: Multiple und Sampling als Medium: Techno-Transformationen der Kunst, edited by Peter Weibel, 9-10. Köln: Walther König Verlag, 1999.
  • The Double Screen. Medium and Representation in Chinese Painting
    Hung, Wu. The Double Screen. Medium and Representation in Chinese Painting. Chicago, IL: University of Chicago Press, 1997.
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