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  • Tamas Waliczky was born in 1959 in Budapest. New media artist. Lives in Budapest, Hong Kong and Vienna. He started making animations at the age of nine. He then worked as a painter, illustrator and photographer. He started working with computers in
  • Mirzoeff, Nicholas. An Introduction to Visual Culture. New York: Routledge, 1999.
  • The Living Image -
    A major Virtual Reality installation, motion tracking technology, stereoscopic projection as well as interactive sound and video create a unique immersive experience. (source: http://www.grahamnicholls.com/)
  • Epicene -
    An interactive installation which required the viewer to enter at which point they would hear a hypnotic induction. If the viewer did not enter, the piece retained an idea of a psychological barrier. (source: http://www.grahamnicholls.com/)
  • Westway -
    A video installation work focusing on the mythology of violence in contemporary London. The work is both autobiographical and fictional and depicts a violent assault. The work was part of three works. (source: http://www.grahamnicholls.com/)
  • "The artist Olga Kisseleva's approach to her work is much the same as a scientist's. A discrepancy detected during a procedure or within the workings of a structure oblige her to formulate a hypothesis, in order to explain the complication in
  • Mason, Catherine and Paul Brown and Charlie Gere and Nicholas Lambert, ed. White Heat Cold Logic: British Computer Art 1960-1980. Leonardo Book Series, Cambridge, Mass. London, England: MIT Press, 2008.
  • Dreyfus, Hubert L.. Was Computer nicht können. Die Grenzen künstlicher Intelligenz. Frankfurt/ Main: Athenäum, 1989.
  • Schons, Donna. Bis hier und nicht weiter Monopol (February 2018).
  • Pichler, Cathrin. Territorism II In Das Gute muss nicht immer das Böse sein – Kunst aus Vorarlberg, edited by Bucher GmbH & CoHohenems: 2007.