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The Living Image
2003
-
2004
A major Virtual Reality installation, motion tracking technology, stereoscopic projection as well as interactive sound and video create a unique immersive experience. (source: http://www.grahamnicholls.com/)
Epicene
1999
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1999
An interactive installation which required the viewer to enter at which point they would hear a hypnotic induction. If the viewer did not enter, the piece retained an idea of a psychological barrier. (source: http://www.grahamnicholls.com/)
Westway
2001
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2001
A video installation work focusing on the mythology of violence in contemporary London. The work is both autobiographical and fictional and depicts a violent assault. The work was part of three works. (source: http://www.grahamnicholls.com/)
Olga Kisseleva
"The artist Olga Kisseleva's approach to her work is much the same as a scientist's. A discrepancy detected during a procedure or within the workings of a structure oblige her to formulate a hypothesis, in order to explain the complication in
White Heat Cold Logic: British Computer Art 1960-1980
2008
Mason, Catherine and Paul Brown and Charlie Gere and Nicholas Lambert, ed. White Heat Cold Logic: British Computer Art 1960-1980. Leonardo Book Series, Cambridge, Mass. London, England: MIT Press, 2008.
Was Computer nicht können. Die Grenzen künstlicher Intelligenz
1989
Dreyfus, Hubert L.. Was Computer nicht können. Die Grenzen künstlicher Intelligenz. Frankfurt/ Main: Athenäum, 1989.
Bis hier und nicht weiter
2018
Schons, Donna. Bis hier und nicht weiter Monopol (February 2018).
Territorism II
2007
Pichler, Cathrin. Territorism II In Das Gute muss nicht immer das Böse sein – Kunst aus Vorarlberg, edited by Bucher GmbH & CoHohenems: 2007.
Territorism II
2007
Pichler, Cathrin. Territorism II In Das Gute muss nicht immer das Böse sein – Kunst aus Vorarlberg, edited by Bucher GmbH & CoHohenems: 2007.
Das Gute muss nicht immer das Böse sein
2007
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2007
Event: Das Gute muss nicht immer das Böse seinInstitution: EngländerbauComment:
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