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Der Schrei 2012

A yellow, two-meter-high siren slowly rotates around its own axis and produces a constant, penetrating, cyclical stream of sound that is modulated by the turning of the horn. Its powerful acoustic waves cause objects in the exhibition space to
Marc Lee

Marc Lee is a Swiss artist. He uses contemporary art as a vehicle to continuously redefine how we see ourselves and the world around us. He is experimenting with information and communication technologies and within his contemporary art practice, he
Catherine Mason

... 2002 to 2006 I identified, located and...
Ralph Schreiber

contact --- Ralf Schreiber Iltisstr. 73 50825 Köln / GERMANY -- +49(0)221 5397489 +49(0)151 14316644 -- www.ralfschreiber.com -- mail[aaaaaaat]ralfschreiber[dooooooot]com
Wo realer und virtueller Raum verschmelzen 2016

Schreiber, Susanne. Wo realer und virtueller Raum verschmelzen Handelsblatt (September 2016).
Jordan Crandall

... und Gesehenwerden, Kybernetik, digitale...
European Media Art Festival 1995: Art and Body 1995

"Art and Body" was the general topic of EMAF 1995. Many artists had chosen the human body to be the focal point of their projects, and they also brought up the question of the influence the expansion of interactive media has on the individual. The
What´s the Matter with the Institutions of Art? / Was ist mit den Institutionen der Kunst los? 2001

... / Was ist mit den Institutionen der...
Digital Preservation: Recording the Recoding. The Documentary Strategy / Digitale Konservierung: Die Aufzeichnung der Neukodierung. Die Strategie der Dokumentation 2001

Depocas, Alain. Digital Preservation: Recording the Recoding. The Documentary Strategy / Digitale Konservierung: Die Aufzeichnung der Neukodierung. Die Strategie der Dokumentation In Ars Electronica 2001: Takeover : Who's doing the Art of Tomorrow =
Takeover - About the thing formerly known as art 2001

Stocker, Gerfried. Takeover - About the thing formerly known as art In Ars Electronica 2001: TAKEOVER - Who´s doing the art of tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine Schöpf, 16-19. New York, Wien:

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