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SECURITY IN OUR SOCIETY: WHAT REMAINS OF OUR PERSONAL FREEDOMS?
2015
-
2015
make-A-move i
s a
n interactive, video in
sta
llation composed of two encased screens conceived for exhibition in public
spa
ce. Two animated portraits - a female and a male - react to the movements of passersby and express passivity, suspicion,
Agencia, materialidad y documentación del arte de los medios
2014
Alsina, Pau and Vanina Hofman. Agencia, materialidad y documentación del arte de los medios ICONO14 12, no. 2 (2014): 56-69.
Arte pós-virtual: criação e agenciamento no tempo da Internetdas Coisas e da próxima natureza(Post virtual: art in the Internet of Thing
s a
ge
2013
Beiguelman, Giselle. Arte pós-virtual: criação e agenciamento no tempo da Internet das Coisas e da próxima natureza (Post virtual: art in the Internet of Thing
s a
ge In Cyber-Arte-Cultura: A trama das redes, edited by Fernando Pes
soa
Vol.7.
gameboy_ultraf_uk
1997
-
1999
The work consists of a Free Software Game Boy emulator whose rendering system has been (pathologically) rewritten to degenerate over time. Game entities mutate into background and interface elements, or appear as fragments of the games binary
Urban Data
sca
pe
2015
-
2015
Urban Data
Sca
pe i
s a
n interactive multimedia in
sta
llation to immerse yourself in the heart of the Pari
sia
n climate issues. Designed for the Banks of the Seine, this work inaugurates the launch ArtCOP21, a cultural event on climate change that will
The Land
sca
pe of Being,
2012
Kisseleva Olga. The Land
sca
pe of Being,. Yorkshire, UK: Dr Graham Martin, AGENCY – Art, Life and Society, 2012.
Marchtowar
2003
-
2003
Online gambling meets political protest. Launched in the February 2003, Marchtowar.com allowed users to place $5 bets on the time and date when the US invasion of Iraq would begin. The winner was paid in pre-paid gasoline cards, all proceeds went to
It’s Time for a Wetware Update
2016
Hauser, Jens. It’s Time for a Wetware Update In WETWARE: Art - Agency - Animation, edited by David Familian and Jens Hauser, 11-21. Irvine: Regents of the University of California, 2016.
Eduardo Kac
Eduardo Kac is internationally recognized for his telepresence and bio art. A pioneer of telecommunication
s a
rt in the pre-Web '80s, Eduardo Kac (pronounced "Katz") emerged in the early '90s with his radical works combining telerobotic
s a
nd living
Interactive Narrative a
s a
Multi-Temporal Agency
2003
Brown, Neil and Dennis Del Favero and Jeffrey
Sha
w and Weibel, Peter. Interactive Narrative a
s a
Multi-Temporal Agency In Future Cinema, edited by Jeffrey
Sha
w and Peter Weibel, 312-315. Cambridge, MASS: MIT Press, 2003.
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