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  • Beyond the Screen: New Directions in Interactive Art
    Kac, Eduardo. Beyond the Screen: New Directions in Interactive Art Blimp: Film Magazine 40 (1999): 49-54.
  • Digital Dialectic: New Essays on New Media
    Lunenfeld, Peter. Digital Dialectic: New Essays on New Media. Leonardo Book, Cambrige, MA: MIT Press, 1999.
  • HAZE Express
    Sommerer, Christa and Laurent Mignonneau. HAZE Express In The Interaction’99, edited by Itsuo SakaneGifu, Japan: IAMAS Academy and Softopia, Japan, 1999.
  • Interactive Plant Growing
    Sommerer, Christa and Laurent Mignonneau. Interactive Plant Growing In Media Time: WOOD and BYTE: Festival delle nuove tecnologie mulitmediali, edited by M. G. Mattei, 56-61. Bolzano, IT: Centro Audiovisivi, Bolzano, 1999.
  • Michael Rodemer
    Michael Rodemer's multifaceted education, acquired in the United States, Germany, and France, encompasses degrees in German, English, Comparative Literature, and Sculpture. This dual interest in the written word and in the "word-become-material" has
  • Ubermorgen
    Ubermorgen is a group of artists in Vienna, Austria, founded in 1999 by Hans Bernhard (founder of etoy) and Lizvlx. Ubermorgen focuses on exploring contemporary legal issues, especially those of security, privacy and copyright. Übermorgen is the
  • Treason`s Script: Interactive Narrative Artwork on CDROM
    Prophet, Jane. Treason`s Script: Interactive Narrative Artwork on CDROM Performance Research Online 4, no. 2 (Summer 1999).
  • Into the Belly of the Image: Historical Aspects of Virtual Reality
    Grau, Oliver. Into the Belly of the Image: Historical Aspects of Virtual Reality Leonardo 32, no. 5 (1999): 365-371.
  • Archäologie des Virtuellen, Stephan Oettermann: The Panorama: History of a Mass Medium
    Grau, Oliver. Archäologie des Virtuellen, Stephan Oettermann: The Panorama: History of a Mass Medium Leonardo 32, no. 2 (1999): 143-144.
  • Amy Youngs
    Amy M. Youngs creates biological art, interactive sculptures, and digital media works that explore interdependencies between technology, plants and animals. Her practice-based research involves entanglements with the non-human, constructing
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