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  • From May 9 through June 1, 2019, Victor Acevedo presented a retrospective exhibition of his digital work at Los Angeles Center for Digital Art. He showed a selection of print work that spanned the years 1987 to 2019 and his computer animation and
  • “On the Road”, consists of twelve lenticular panels that explore the cinematic narrative potential of the photographic image in non-electronic form. The exhibition’s title “On The Road” makes reference to the defining work of the Beat Generation’s
  • PULSATION
    The video work Pulsation presents pulsating light phenomena, the bodily and the technologically generated hybrid as a luminous apparition composed by layering reflected light, video projections of radiological scans of the artist’s brain and related
  • Weibel, Peter. Freies Hirn im Cyberspace. Peter Weibel über Kunst und Medien der "Zweiten Moderne" Der Spiegel 3 (January 18th 1999): 187-189.
  • Eine Skulptur schwebt in einer digitalen Umgebung im Raum und verändert dabei ständig ihre Größe oder Oberflächenbeschaffenheit. Solch ein Bildwerk kann in der realen Welt mit ihren physikalischen Gegebenheiten nicht existieren. Diese Möglichkeiten
  • Moes, Fabiana. Borges, Science Fiction, Hyperfiction: three means to Post-Human ? Borges, Ficção Científica, Hiperficção: três caminhos para o Pós-humano? academia.edu (2007).
  • Moes, Fabiana. Virtual Hypertexts: "Lector in Fabula" inserted in Globalization Hipertextos Virtuais: "Lector in Fabula" inserido na Globalização Revista Encontro de Vistas (2008).
  • Flies in the Sky -
    2017 Empowerment Informatics (EMP) Experience our "Flies in the Sky" VR artwork at the VR Large Space in Tsukuba Curator: Hiroo Iwata - Tsukuba, Japan
  • data.scan -
    Ryoji Ikeda is one of Japan’s most celebrated electronic composers. Since 1995 he has been making work that investigates the characteristics of sound, exploring frequencies and the fundamentals of data. He has collaborated with a diverse range of
  • Location of I -
    In an attempt to become the absolute citizen, Martin John Callanan published his physical location every minute for two years between March 2007 and July 2009. Every minute of every day since the beginning of 2007 I have continually published my