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  • Cine del “postubo” en la era del fin de lo virtual
    Beiguelman, Giselle. Cine del “postubo” en la era del fin de lo virtual In El cine hace escuela, edited by Jorge La Ferla and Luis Alberto Quevedo, 183-191. Buenos Aires: Fundacion Telefonica, 2014.
  • Espaços de Subordinação e Contestação nas Redes Sociais
    Beiguelman, Giselle. Espaços de Subordinação e Contestação nas Redes Sociais Revista USP , no. 92 (December/ February 2012): 20-31.
  • A coelhinha e a bioarte
    Beiguelman, Giselle. A coelhinha e a bioarte http://www.ekac.org/beiguelmanweb.html.
  • TransLife - Triennial of Media Art / NAMOC - National Art Museum Of China - Beijin (China) / Curator : Zhang Ga
    Event: TransLife - Triennial of Media Art / NAMOC - National Art Museum Of China - Beijin (China) / Curator : Zhang GaInstitution: Ars Electronica Linz GmbH & Co KGComment:
  • Real Snail Mail
    New Chinese Snails A Real Snail Mail™ live enclosure is on show in the exhibition Stadt am Rande at the Today Art Museum, Beijing. The new Chinese recruits Wang, Ming Mei, Cheung, Tao, Manchu, Sheng Li, Shu Fang, MIng Yue, Fei Yen & Genji are
  • Three Junctures of Remix
    Navas, Eduardo and Giselle Beiguelman and Mark Amerika and Arcángel Constatini and Elisa Kreisinger, ed. Three Junctures of Remix. Vol.14. gallery@calit2 exhibition catalogs, San Diego: UCSD, 2014.
  • Futuros Possiveis: Arte, Museus e Arquivos Digitais / Possible Futures: Art, Museums and Digital Archives
    Beiguelmann, Giselle and Ana Gonzalves Magalhäes, ed. Futuros Possiveis: Arte, Museus e Arquivos Digitais / Possible Futures: Art, Museums and Digital Archives. Vol.1. 055-08-050, 1 th ed.Sao Paulo: Universidade de Sao Paulo, 2015.
  • Searching instead of Finding: The Digital Archive as Find Engine.
    Fleischmann, Monika and Wolfgang Strauss. Searching instead of Finding: The Digital Archive as Find Engine. In Futuros Possíveis: Arte, Museus e Arquivos Digitais, edited by Giselle BeiguelmanSão Paulo: Periópolis/ Edusp, 2014.
  • Territorism II -
    Dynamic video projection 'Territorism II' was conceived in 2005 as an indoor version of the video projection 'Territorism' at the Kunsthaus Bregenz (2002). It was shown for the first time as part of the exhibition In the line of flight in the China
  • Max Hattler
    Max Hattler is an artist and academic who works with abstract animation, video installation and audiovisual performance. He holds a master's degree from the Royal College of Art and a Doctorate in Fine Art from the University of East London. His
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