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Watch out! The Eyes of the City
2004
Event: Watch out! The Eyes of the CityInstitution: Athens 2004, Olympic Games “Catch the Light” ProgramComment:
NET(WORK)
2016
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2016
The projetct is dedicated to the phenomenon of nets. As we know, nets are some of the primary means for catching aquatic bioresources. The net thrives as a universal symbol with many possible applications and analogies. The word “net” – set’ – can
transmediale.09: deep north
2009
Looking beyond the alarmist scenarios of environmental, social and economic catastrophes to be expected in the wake of global warming, the essential question isn't that of how to avoid these processes, but to examine the need for a fundamental shift
Catching up with Gertrude: Stein´s Faustus and the Wooster Group
2000
Kilpatrick, David. Catching up with Gertrude: Stein´s Faustus and the Wooster Group .
Pierre Martin, “Lin Pey Chwen Installation Catching at MOCA Taipei: an Installation wortg experiencing”
2011
Pierre Martin. Pierre Martin, “Lin Pey Chwen Installation Catching at MOCA Taipei: an Installation wortg experiencing” “Lin Pey Chwen Installation Catching at MOCA Taipei: an Installation wortg experiencing” (2011).
Catching - Back to Nature Series
2004
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2004
Event: Catching - Back to Nature SeriesInstitution: Moca TaipeiComment:
Conversations at the Edge (CATE)
2006
Event: Conversations at the Edge (CATE)Institution: the School of the Art Institute of Chicago (SAIC)Comment:
Slippery Traces
1995
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1996
Slippery Traces is a multi-linear visual narrative in which viewers navigate through a network of over 240 interconnected postcards classified into 24 categories or chapters. The intention of the work has been to explore database structures as a
Tracing
1997
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1997
Tracing is a two screen projection installation that uses the two-sides of a wall positioned in the middle of the gallery room to contrast two states of cultural difference in the information age. Texts and ambient sounds are continuously projected
One-person Touchscreen Cinema Showing 14 Interactive Movies
2002
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2002
This collection of experimental interactive movies, made by the artist over several years, shows live-action works in which the visual metaphors for interaction are inherent in the filmic material. Because the movies are conceived from a visual
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