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  • NAKED EYE
    Intangible Images Brigitte Felderer: Naked Eye, an installation by Sylvia Eckermann With her installation at Kunstraum Bernsteiner Sylvia Eckermann addresses the presentation of the "white cube" by subverting the boundaries between tableaux vivants
  • Jean-Baptiste Barrière
    Jean-Baptiste Barrière, born 1958 in Paris, studied Music, Philosophy and Mathematics. Currently he works as a composer and since 1981 as scientist at the Ircam/Centre Georges Pompidou in Paris.
  • Out of This World
    Wertheim, Margaret. Out of This World New Scientist 161, no. 2172 (February 1999): 38-41.
  • Media: Between Magic and Technology [in Russian]
    Ksenia Fedorova and Nina Sosna, ed. Media: Between Magic and Technology [in Russian]. Moscow, Ekaterinburg: Armchair Scientist, 2014.
  • Stenslie Stahl
    Stenslie Stahl is working on the development of different interface technologies and tools for the digital culture within the fields of art, media and network-research. Lives and works as media artist, curator, scientist and media researcher in Oslo
  • Martin Wattenberg
    My work focuses on visual explorations of culturally significant data. I'm constantly seeking new ways to represent information to create connection, insight, narrative and beauty. A particular interest is using visual tools to foster collaboration
  • blaseez
    Computer scientist interested in data, artificial intelligence, interaction — in the exploration of plastic-sound virtualities through impulse and generative reinterpretation.
  • SMDK - Simulationspace of Mobile Datasounds
    SMDK is a cross-disciplinary project by Knowbotic Research that results from an exchange of working techniques between media artists, computer musicians and computer scientists. The interactive environment SMDK consists of a data base containing
  • Frieder Nake "Die präzisen Vergnügen" -
    The exhibition shows works by the computer scientist, Frieder Nake (now resident in Bremen), who was a member of the Stuttgart group led by Max Bense. He displayed his first algorithmically generated digital graphics in Stuttgart in 1965, as did
  • Embracement -
    This unique work was a result of the first ever Australian collaboration between an artist and scientists from the Australian Centre for Field Robotics, leading to the use of a photodynamic screen especially developed to realise the work's
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