Archive Search

  • Seiko Mikami passed away of cancer in January 2015. She was an interactive media artist that has been working in the realms of information systems and human sensing. Showing large-scale installations since the 80's she used sound, robotics and
  • Sommerer, Christa and Laurent Mignonneau. HAZE Express In CyberArts 1999: International Compendium - Prix Ars Electronica 1999, edited by Hannes Leopoldseder and Christine Schöpf, 92-93. Vienna, New York: Springer Verlag, 1999.
  • Sommerer, Christa and Laurent Mignonneau. Interactive Plant Growing In Ars Electronica - Facing the Future, , 393-394. Cambridge, MA: The MIT Press, 1999.
  • Beloff, Zoe. La vie revée de la technologie Trafic, revue de cinéma 30 (Summer 1999): 84-91.
  • In 1999 Graham Nicholls had his first solo show in New York City. This was to launch him onto an international arena. Since that time his work has become more and more experimental and cutting edge. With work such as LAM exploring the possibilities
  • Heir of cybernetic art, artist and programmer, Antoine Schmitt uses programming as a material to produce installations, CD-ROMs, online exhibitions, and performances in which he confronts the public or performers with autonomous abstract dynamic
  • Uprising
    Stocker, Gerfried. Uprising In Genesis, edited by O. K. Center for Contemporary Art, 41-43. Linz: 1999.
  • Dolinsky, Margarete. Facing Reality Artists Using Science and Technology, YLEM Newsletter (July/August 1999).
  • Fischnaller, Franz. Cultural Heritage and New Medias In Pendulum Symposium: Mediterranean and Balkan Art and Technology, , 47-48. Athens, Greece: 1999.
  • Andrea Polli is an artist working at the intersection of art, science and technology whose practice includes media installation, public interventions, curating and directing art and community projects and writing. She has been creating media and