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  • La vie revée de la technologie
    Beloff, Zoe. La vie revée de la technologie Trafic, revue de cinéma 30 (Summer 1999): 84-91.
  • Uprising
    Stocker, Gerfried. Uprising In Genesis, edited by O. K. Center for Contemporary Art, 41-43. Linz: 1999.
  • Facing Reality
    Dolinsky, Margarete. Facing Reality Artists Using Science and Technology, YLEM Newsletter (July/August 1999).
  • Graham Nicholls
    In 1999 Graham Nicholls had his first solo show in New York City. This was to launch him onto an international arena. Since that time his work has become more and more experimental and cutting edge. With work such as LAM exploring the possibilities
  • SWAMP
    SWAMP (Studies of Work Atmosphere and Mass Production) focuses on critical themes addressing the effects of global corporate operations, mass media and communication, military-industrial complexes, and general meditations on the liminal area between
  • Cultural Heritage and New Medias
    Fischnaller, Franz. Cultural Heritage and New Medias In Pendulum Symposium: Mediterranean and Balkan Art and Technology, , 47-48. Athens, Greece: 1999.
  • Multi Mega Book in the Cave
    Fischnaller, Franz. Multi Mega Book in the Cave In XXXIV Incontri Di Sorrento Del Cinema e dell´Audiovisio, edited by Gennarelli Bideri, 35-36. Naples: 1999.
  • Robots Avatars Dealing wih Virtual Illusions
    Fischnaller, Franz. Robots Avatars Dealing wih Virtual Illusions In Cyberarts `99: International Compendium Prix Ars Electronica, edited by Christine Schöpf and Hannes Leopoldseder, 49-50. Vienna, New York: Springer, 1999.
  • Andrea Polli
    Andrea Polli is an artist working at the intersection of art, science and technology whose practice includes media installation, public interventions, curating and directing art and community projects and writing. She has been creating media and
  • Stasis: Digital Hypnosis
    Brown, Richard. Stasis: Digital Hypnosis In Reframing Consciousness, edited by Roy AscottLondon, UK: Intellect Books, 1999.
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