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Biennial of the Moving Image´90 / Bienal de la Imagen en Movimiento´90
1990
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1990
Curator: José Ramón Pérez Ornia; Artists: Marina Abramovic, Chantal Akerman, Max Almy, Julián Álvarez, Richard Angers, Ida Applebroog & Beth B, Eugènia Balcells, Irit Batsry, Robert Breer, Brothers Qualy (Stephen y Timothy Quay), Carl Browm, Robert
Collaborative Online Teleoperation with Spatial Dynamic Voting and a Human ``Tele-Actor''
2002
Goldberg, Ken and D. Song and Y. Khor and D. Pescovitz and Levandowski, A. and J. Himmelstein and J. et. al. Shih. Collaborative Online Teleoperation with Spatial Dynamic Voting and a Human ``Tele-Actor'' In EEE ICRA 2002, Washington, CD. May
Das Internet und die Zukunft der Kunst: Immaterialität, Telematik, Videokonferenzen, Hypermedia, Networking, VRML, Interaktivität, Bildtelefone, Künstlersoftware, Telerobotik, Mbone und darüber hinaus
1997
Kac, Eduardo. Das Internet und die Zukunft der Kunst: Immaterialität, Telematik, Videokonferenzen, Hypermedia, Networking, VRML, Interaktivität, Bildtelefone, Künstlersoftware, Telerobotik, Mbone und darüber hinaus In Mythos Internet, edited by
FILE 8 BIT GAME PEOPLE FILE: Games Rio 09 e FILE Hipersônica Rio 09
2009
Perissinotto,Paula & Barreto,Ricardo, ed. FILE 8 BIT GAME PEOPLE FILE: Games Rio 09 e FILE Hipersônica Rio 09. Vol.1000. 1 th ed.São Paulo: Paula Perssinotto & Ricardo Barreto, 2009.
wordotcomnodot
2000
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2000
é um ensaio sobre a condição da palavra no contexto digital. Apresenta uma antologia da literatura criada para a Internet, um guia comentado de sites sobre a criação e o desenvolvimento de conteúdos com hipertexto, e um fórum aberto ao público sobre
Fandom: um novo sistema literário digital.Fandom: a New Literary Digital System
2009
Moes, Fabiana. Fandom: um novo sistema literário digital. Fandom: a New Literary Digital System Hipertextus Revista Digital 3 (january 2009): 21.
HIPPIE MODERNISM: THE STRUGGLE FOR UTOPIA
2015
Andrew Blauvelt, ed. HIPPIE MODERNISM: THE STRUGGLE FOR UTOPIA. Minnesota: Walker Art Center, 2015.
Contact Zones/ The Art of CD Rom
1999
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1999
The CD-Rom plays a particularly challenging role in these developments. In providing artists with a broader "bandwidths" and more extensive data bases than can yet be readily accessed on the internet, the format of the CD-Rom challenges artists to
Narcissus'; Well: Mirror Gaze
This sensation of absorption and the loss of ones presence also finds its roots in the fear of souls being captured in mirrors. The Etruscan word for soul, hinthial, literally means, "image reflected in a mirror." [prototype installation] (source:
Victor Acevedo - Digital Art Retrospective: 1985-2019
2019
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2019
On the occasion of this exhibition, Acevedo updated his artist statement. It was quite brief but yet an articulate recapitulation of the enduring core values of his work. It spoke to the deep and long artistic journey he had traveled to this point.
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