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WYSIWyG or WYGIWyS? (What you see is what you get or what you get is what you see?
2004
Beiguelman, Giselle. WYSIWyG or WYGIWyS? (What you see is what you get or what you get is what you see? In pOes1s. Ästhetik digitaler Poesie, edited by Friedrich W. Block and Christiane Heibach and Karin WenzOstfildern-Ruit: Hatje Cantz, 2004.
O Livro depois do Livro
2003
Beiguelman, Giselle. O Livro depois do Livro. Sao Paulo: Editora Peiropolis, 2003.
Bricks/Bits.html: Intervenções urbanas 1.0
2002
Beiguelman, Giselle. Bricks/Bits.html: Intervenções urbanas 1.0 In Intervenções urbanas. Arte/Cidade, edited by Nelson Brissac PeixotoSão Paulo, Brazil: Senac, 2002.
Liquid Texts
2002
Beiguelman, Giselle. Liquid Texts Leonardo Electronic Almanac 10, no. 08 (2002).
Possible Futures: Art, Museums and Digital Archives
2014
Beiguelman, Giselle and Ana Gonçalves Magalhães, ed. Possible Futures: Art, Museums and Digital Archives. São Paulo: Peirópolis/ Edusp, 2014.
For an aesthetics of transmission
2006
Beiguelman, Giselle. For an aesthetics of transmission First Monday , no. Special Issue 4 (February 2006).
Copiar é preciso. Inventar não é preciso.
2011
Beiguelman, Giselle. Copiar é preciso. Inventar não é preciso. seLecT 01, no. 01 (August/September 2011): 37-43.
Arte pós-virtual: criação e agenciamento no tempo da Internetdas Coisas e da próxima natureza(Post virtual: art in the Internet of Things age
2013
Beiguelman, Giselle. Arte pós-virtual: criação e agenciamento no tempo da Internet das Coisas e da próxima natureza (Post virtual: art in the Internet of Things age In Cyber-Arte-Cultura: A trama das redes, edited by Fernando PessoaVol.7.
Link-se: arte/mídia/política/cibercultura.
2005
Beiguelman, Giselle. Link-se: arte/mídia/política/cibercultura.. São Paulo: Peirópolis, 2005.
Nomadismos Tecnológicos (Dispositivos móviles: usos masivos y prácticas artísticas)
2011
Beiguelman, Giselle and Jorge La Ferla, ed. Nomadismos Tecnológicos (Dispositivos móviles: usos masivos y prácticas artísticas). Buenos Aires: Ariel, 2011.
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